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THE FIRST POETS

LIVES OF THE ANCIENT GREEK POETS

An exciting work of scholarship by a masterly poet.

A dense, spirited, deeply thoughtful prequel to English poet and editor Schmidt’s Lives of the Poets (1999).

Assuming that his audience is as devoted as he is to the importance of classical texts, the author argues that readers should not be “impoverished by a pragmatic sense of historical fact” and miss out on the fun of reconstructing the dauntingly inaccessible lives of the poets who created them. In his magisterial introduction, Schmidt sets out the physical evidence discovered over the millennia in papyri, tablets, amphora, and the like, then elucidates the function of scribes and libraries. “For the ancients, poetry socialized people,” he writes, emphasizing the oral tradition that dominated in Homer’s heroic age. By the fifth century b.c., the act of writing down poems already invited distortion and embellishment. In 15 chapters, Schmidt sifts through the available evidence—often elusive, sibylline, and apocryphal—and conflicting scholarship to give shape to the lives of poets as celebrated as Pindar (favored by English poets) and Apollonius (“who understands, honours and even privileges the female perspective”), as well as the more obscure Mimnermus of Colophon (“an elegist of pleasure”) and Hipponax of Ephesus (“a notable sourpuss”). The author treats two female poets, Sappho and Corinna of Tanagra (the latter may have beaten Pindar in poetry contests) while delicately acknowledging the “rebarbative” (repellent) nature of the classical male perspective, which puts off female readers and translators. Schmidt devotes three chapters to Homer and his legend, examining everything from the bard’s paternity to theories of collaborative composition and the archaeological finds that have borne out the verses’ topographical accuracy. The author has traveled to the places inhabited by these poets and endows their lives with an intimate sense of the physical landscape. Like the transmission of these texts over the ages, each of Schmidt’s chapters comment on its predecessor, and the reader willing to stick with his tireless documentation will be amply rewarded.

An exciting work of scholarship by a masterly poet.

Pub Date: March 28, 2005

ISBN: 0-375-41120-8

Page Count: 480

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2004

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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