In this moving and magical literary journey, a heroine grapples with a terrifying power.
A young girl gains the ability to see the death of anyone she touches in this debut “modern(ish)” fairy tale.
Waking on her 13th birthday, Lily kisses her father good morning and is struck by a vision of how he will drown that very day. Frightened by this new talent, which seems to have come to her just as her body is beginning to change into that of a woman, Lily feels as if there is an “other girl” inside her, one whom Lily is determined to keep locked away. When Lily’s father does indeed drown, her mother—an outsider who has never liked their strange little fishing village—whisks the girl away across the wooden footbridge that is the village’s only connection to the outside world, a bridge whose other end is always shrouded in fog. Thus begins a rare caliber of story that should transport and submerge readers in a fantastic and fantastical adventure. Will Lily survive in the world beyond her village? Will she be able to rid herself of this new and terrible power to foresee death? Will she contain the “other girl” developing inside of her? Once started, Lily’s mystical and often macabre journey is nearly impossible to stop reading, as she seeks answers and finds herself in surprising company, such as that of the Rev. Silas Everyman, “a miracle worker,” and his traveling evangelical circus. Despite some seemingly familiar fairy-tale tropes—a witch named Baba Yaga lives in the woods and eats children, for example—little is as it first appears. Like many of the characters, Baba Yaga is more complex than she seems; is she hunting Lily or helping her? Not even Baba Yaga knows for sure. As Andersen has done for the book’s beautifully bizarre yet detailed illustrations, Ford has filled his novel with customs and side stories—some no more than a sentence or two—that make the world feel real, wonderful, and horrifying simultaneously. And though in many ways it seems nothing like one, this novel is at heart a fairy tale in the grand, dark tradition of the best of such stories; the book speaks to the reader’s deepest fears and highest hopes, told through the odyssey of a girl who is scared by what is happening around her and within her.
In this moving and magical literary journey, a heroine grapples with a terrifying power.Pub Date: Oct. 1, 2016
ISBN: 978-1-59021-268-4
Page Count: 262
Publisher: Lethe Press
Review Posted Online: Aug. 12, 2016
Kirkus Reviews Issue: Sept. 15, 2016
Review Program: Kirkus Indie
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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