A lively rumpus-room of mythology-tinged high-fantasy SF adventure.
Awaiting coronation as the long-lost, mighty king of the Milky Way, human youth Richard must dodge threats from deadly space enemies in Hickman’s sequel.
The title refers to a seemingly average teenager who carries the singular and irreproducible DNA of the spacegoing Plantagenet family, a humanoid alien dynasty who ruled and defended the many planets of the Milky Way galaxy more than 1,000 years ago. Back then, a usurper within the royal house murdered noble King Dolloff and his brethren before being assassinated himself. One survivor, the prince’s pregnant fiancee, found sanctuary on remote Earth—a “barbaric” place of dread and exile in galactic culture whose very existence is often doubted except as fearful folklore. Centuries later, in the present, Ohioan Richard is contacted by scattered supporters—including a resourceful and ever loyal Artificial Alien Life dubbed AAL, who enlightened the lad to his incredible bloodline. On the planet Krel, Richard was revealed as heir to the throne prematurely, and AAL had to place a duplicate with the lad’s oblivious family back in Ohio. The real Richard, in the galactic capital city before his coronation, must be a quick study in etiquette, diplomacy, policy, and virtual messiah-hood for billions of worshipful subjects. There are also enemies, such as the influential family of Sen. Spartacus, who want the youth killed to allow an elected democracy (in other words, Spartacus) to take control. Preparing novice Richard for his challenges includes granting superior abilities (such as teleportation) via accelerated evolution using the energy of a mystic black hole. However, these newfound superpowers are often beyond Richard’s control. Another unforeseen complication: the boy-king finding true love and passionate sex with Amber, a humanoid fox-creature from a planet called Beowulf, in a galactic culture that often marginalizes nonhuman creatures.
Hickman continues a multivolume saga that was launched with Richard: Distant Son (2022). Over the course of this novel, the author’s wide-ranging cosmology scrambles together elements of SF, high fantasy, and fairy tales; key alien species in the ensemble include such creatures as centaurs, satyrs, dragons, and winged horses. As noted above, readers should be prepared for xenosexual consensual relations as well as the fact that in addition to a healthy libido, Richard has an unusually active bladder for an SF adventurer; multiple scenes take place in his “privy” (a royal one, of course, that is guarded by a powerful AI). However, space-vulpine dating and mating tips and bathroom emergencies are only parts of the narrative, which never sits still. Amber’s single mother, Kit, happens to be a top reporter for the Galactic News Network, or GNN (not Fox News; the overall tone is not as satirical as that in a Terry Pratchett, Robert Asprin, or Jody Lynn Nye mock-epic). Assassination plots and lethal traps, grievous wounds, spaceship battles, heartache, tragedy, and miraculous resurrections comprise briskly paced episodes that alternate with scatological comedy, door-slamming farce, and demonstrations of Richard’s inherent kindness and nobility. The dialogue ranges from passably profound pronouncements to comic-book melodrama (“The beast let out an earth-shattering laugh. ‘Puny part-human, how dare you defy me’ ”).
A lively rumpus-room of mythology-tinged high-fantasy SF adventure.Pub Date: Aug. 26, 2022
ISBN: 979-8985477726
Page Count: 366
Publisher: RedFoxOnHigh
Review Posted Online: May 27, 2023
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Sharp, funny and thrilling, with just the right amount of geekery.
When a freak dust storm brings a manned mission to Mars to an unexpected close, an astronaut who is left behind fights to stay alive. This is the first novel from software engineer Weir.
One minute, astronaut Mark Watney was with his crew, struggling to make it out of a deadly Martian dust storm and back to the ship, currently in orbit over Mars. The next minute, he was gone, blown away, with an antenna sticking out of his side. The crew knew he'd lost pressure in his suit, and they'd seen his biosigns go flat. In grave danger themselves, they made an agonizing but logical decision: Figuring Mark was dead, they took off and headed back to Earth. As it happens, though, due to a bizarre chain of events, Mark is very much alive. He wakes up some time later to find himself stranded on Mars with a limited supply of food and no way to communicate with Earth or his fellow astronauts. Luckily, Mark is a botanist as well as an astronaut. So, armed with a few potatoes, he becomes Mars' first ever farmer. From there, Mark must overcome a series of increasingly tricky mental, physical and technical challenges just to stay alive, until finally, he realizes there is just a glimmer of hope that he may actually be rescued. Weir displays a virtuosic ability to write about highly technical situations without leaving readers far behind. The result is a story that is as plausible as it is compelling. The author imbues Mark with a sharp sense of humor, which cuts the tension, sometimes a little too much—some readers may be laughing when they should be on the edges of their seats. As for Mark’s verbal style, the modern dialogue at times undermines the futuristic setting. In fact, people in the book seem not only to talk the way we do now, they also use the same technology (cellphones, computers with keyboards). This makes the story feel like it's set in an alternate present, where the only difference is that humans are sending manned flights to Mars. Still, the author’s ingenuity in finding new scrapes to put Mark in, not to mention the ingenuity in finding ways out of said scrapes, is impressive.
Sharp, funny and thrilling, with just the right amount of geekery.Pub Date: Feb. 11, 2014
ISBN: 978-0-8041-3902-1
Page Count: 368
Publisher: Crown
Review Posted Online: Dec. 7, 2013
Kirkus Reviews Issue: Dec. 15, 2013
PROFILES
SEEN & HEARD
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