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LAUREL CANYON

Name: LAUREL CANYON
Author: Michael Walker
ISBN: 0-571-21149-6

THE INSIDE STORY OF ROCK-AND-ROLL’S LEGENDARY NEIGHBORHOOD

by Michael Walker ‧ RELEASE DATE: May 2, 2006

A nap also induces a peaceful, easy feeling.

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An uninspired tribute to Laurel Canyon.

Pop-culture writer Walker (the New York Times, Rolling Stone, etc.) has a potentially interesting hook for an umpteenth recounting of the Los Angeles music scene of the late ’60s and ’70s: Rather than focus on the musicians or the music, Walker concentrates on the neighborhood where many of the key players set up house: laid-back, rustic Laurel Canyon, a sleepy idyll nestled above the hurly-burly of the city proper, where marijuana smoke and eucalyptus flavored the air and the sensitive strumming of singer-songwriters reverberated among the trees. The problem is that there is nothing much interesting about Laurel Canyon. Cheap rents and a bohemian atmosphere attracted the likes of the Byrds, Joni Mitchell, various members of Crosby, Stills, and Nash, the Eagles and Frank Zappa—who got high, played the guitar and hung out. Undoubtedly fun for them, but hardly riveting reading. Even the curiously high incidence of house fires fails to liven things up much. Walker writes passionately and well about the demimonde, but the smug, faintly toxic coziness of the “scene” quickly begins to pall. Groupies hold forth on the lifestyle, club owners and artist managers reminisce about the good times, Graham Nash rhapsodizes about the house he shared with Joni Mitchell, and it’s all a bit like listening to your parents tell their college stories. Unlike Swinging London, with its inherently dramatic generational conflict and cultural upheaval exploding from the stifled misery of post-war shortages and a crushing class system, this charmed corner of southern California was, in these pages, a mellow, contentedly bland paradise, Eden before the fall. One wishes for a serpent or two.

A nap also induces a peaceful, easy feeling.

Pub Date: May 2, 2006

ISBN: 0-571-21149-6

Page Count: 256

Publisher: Faber & Faber/Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

Categories:

GENERAL NONFICTION

- BOOK REVIEW
DELTA LADY
by Rita Coolidge & Michael Walker

- BOOK REVIEW
WHAT YOU WANT IS IN THE LIMO
by Michael Walker

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.