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THE REAL WILD WEST

THE 101 RANCH AND THE CREATION OF THE AMEIRCAN WEST

A wild and woolly history of a cowpoke mecca. Missouri-born writer Wallis (Way Down Yonder in the Indian Nation, 1993, etc.) has spent the better part of his prolific career explaining Oklahoma to the rest of the world. With The Real Wild West, whose subtitle is a touch overblown, he turns his attention to the big chunk of the state that a famed ranch took in for several decades: the 101, owned by the Miller Brothers dynasty, a 110,000-acre spread that produced cattle, grain, and western myth in roughly equal portions. The western myth element, as Wallis ably shows, came from the Miller Brothers’ well-tuned sense of self-promotion: onto their ranch came such characters as Geronimo, Will Rogers, Buffalo Bill, and Tom Mix, the last a Hollywood cowboy who worked on the ranch for a short time. (Another Hollywood cowboy, John Wayne, learned “how to ride and how to walk with a cowboy’s rolling gait” under the tutelage of a 101 alumnus, Yakima Canutt.) With an eye for the Big Picture and a sweeping style, Wallis traces the fortunes of the ranch from a political and economic powerhouse to its eventual decline some decades ago. Along the way, he turns up some nicely pointed commentary that has not been often used before, such as historian Emerson Hough’s remark that “the chief figure of the American West, the figure of the ages, is not the long-haired, fringed-legged man riding a rawboned pony, but the gaunt and sad-faced woman sitting on the front seat of the wagon, following her lord where he might lead.” Wallis gives those sad-faced women room to speak in his book, but as might be expected, the rootin’-tootin’ cowpokes speak louder, blustering from roundup to feud to the occasional gunfight. This is western history told with twang and flair, and fans of Lonesome Dove and Louis L’Amour should eat it up. (16 pages color, 32 pages b&w photos)

Pub Date: April 23, 1999

ISBN: 0-312-19286-X

Page Count: 640

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1999

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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