Warner (English/Rutgers Univ.) challenges the current stodginess of queer activism—focused as it is on the gay community’s hope to be considered “normal”—through his incisive critique of the banalities and dangers of such normalcy. Criticizing the way some identities are deemed normal while others are not (Ö la Foucault), Warner delineates with lapidary skill the problems of the cultural constructions of the normal, how heterosexual lives are thus validated at the expense of the queer. Using a smoothly textured argumentative style, Warner showcases the functioning of shame within a conservative ideological framework to reward some identities and punish others. His argument stands strongest when he concentrates on how the eradication of shame from sexuality would liberate queer communities from the monolith of marriage and how the rejection of normalcy would accord the gay community a liberated space within the spheres of the sexual culture. Ironically, the trouble with The Trouble with Normal is that it directs its arguments toward the queer community rather than the straight one. Telling gay people that, for various ethical reasons, they shouldn’t even want to marry, when they already can’t, does not change the fact that laws that enfranchise some while disenfranchising others are discriminatory. Warner’s rhetoric persuasively reveals the hierarchical parameters of marriage and the constraints of normalcy, but a more universal approach to his topic would delineate the limitations of marriage for all people—not just queer people. In the end, his polemic leaves standing discriminatory treatment of queers for the sake of a theoretical attack on normalcy. Warner’s ethical vision succeeds as a utopian revelation of sex freed from shame, but a sharper eye for the real-life ramifications of such an outlook might have revealed its limitations.
Pub Date: Nov. 1, 1999
ISBN: 0-684-86529-7
Page Count: 240
Publisher: Free Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1999
James Baldwin has come a long way since the days of Notes of a Native Son, when, in 1955, he wrote: "I love America more than any other country in the world; and exactly for this reason, I insist on the right to criticize her perpetually." Such bittersweet affairs are bound to turn sour. The first curdling came with The Fire Next Time, a moving memoir, yet shot through with rage and prophetic denunciations. It made Baldwin famous, indeed a celebrity, but it did little, in retrospect, to further his artistic reputation. Increasingly, it seems, he found it impossible to reconcile his private and public roles, his creative integrity and his position as spokesman for his race. Tell Me How Long the Train's Been Gone, for example, his last novel, proved to be little more than a propagandistic potboiler. Nor, alas, are things very much better in No Name In the Street, a brief, rather touchy and self-regarding survey of the awful events of the '60's — the deaths of Malcolm X and Martin Luther King, the difficulties of the Black Panther Party, the abrasive and confused relationships between liberals and militants. True, Baldwin's old verve and Biblical raciness are once more heard in his voice; true, there are poignant moments and some surprisingly intimate details. But this chronicle of his "painful route back to engagement" never really comes to grips with history or the self. The revelatory impulse is present only in bits and pieces. Mostly one is confronted with psychological and ideological disingenuousness — and vanity as well.
Pub Date: May 26, 1972
ISBN: 0307275922
Page Count: -
Publisher: Dial Books
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: May 1, 1972
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A wondrous mix of races, ages, genders, and social classes, and on virtually every page is a surprise.
Photographer and author Stanton returns with a companion volume to Humans of New York (2013), this one with similarly affecting photographs of New Yorkers but also with some tales from his subjects’ mouths.
Readers of the first volume—and followers of the related site on Facebook and elsewhere—will feel immediately at home. The author has continued to photograph the human zoo: folks out in the streets and in the parks, in moods ranging from parade-happy to deep despair. He includes one running feature—“Today in Microfashion,” which shows images of little children dressed up in various arresting ways. He also provides some juxtapositions, images and/or stories that are related somehow. These range from surprising to forced to barely tolerable. One shows a man with a cat on his head and a woman with a large flowered headpiece, another a construction worker proud of his body and, on the facing page, a man in a wheelchair. The emotions course along the entire continuum of human passion: love, broken love, elation, depression, playfulness, argumentativeness, madness, arrogance, humility, pride, frustration, and confusion. We see varieties of the human costume, as well, from formalwear to homeless-wear. A few celebrities appear, President Barack Obama among them. The “stories” range from single-sentence comments and quips and complaints to more lengthy tales (none longer than a couple of pages). People talk about abusive parents, exes, struggles to succeed, addiction and recovery, dramatic failures, and lifelong happiness. Some deliver minirants (a neuroscientist is especially curmudgeonly), and the children often provide the most (often unintended) humor. One little boy with a fishing pole talks about a monster fish. Toward the end, the images seem to lead us toward hope. But then…a final photograph turns the light out once again.
A wondrous mix of races, ages, genders, and social classes, and on virtually every page is a surprise.Pub Date: Oct. 13, 2015
ISBN: 978-1-250-05890-4
Page Count: 432
Publisher: St. Martin's
Review Posted Online: July 27, 2015
Kirkus Reviews Issue: Aug. 15, 2015
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