The breadth of Hitchcock’s career and personal life defies easy summation, but Wood’s quickly paced, informative biography...
A brief portrait of cinema’s most iconic silhouette, Alfred Hitchcock (1899-1980).
The director’s work has the rare privilege of being equally acclaimed by critics and popular audiences. As such, Hitchcock’s films have become part of the collective imagination, and “Hitchcockian” is a common idiom used to describe films that parrot his signature style. With such vast influence, Wood (Emeritus, Comparative Literature/Princeton Univ.; Film: A Very Short Introduction, 2012, etc.) offers an entry-level study of the famed auteur, unpacking the ways in which Hitchcock “can change the way we see.” Besides showing off his talent for close reading as he dissects scenes from Hitchcock’s classic films and personal life, Wood also provides vital contextualization to the films he analyzes, such as his “British” films and those with political overtones made during wartime. What is most remarkable about Hitchcock’s films is his insistence on chance meetings, serendipity and mistaken identity. For Hitchcock, who was famously distrustful of authority, the ordered world, and its reliance on reason, was misleading. He found more truth in happenstance, in which the impossible was made ordinary, and he crafted a world in which the improbable was not only accepted by viewers, but expected. Wood gives special attention to Hitchcock’s most famous films, like Vertigo and North by Northwest, but the author also analyzes many of the early, less-recognized films. For all his celebrated artistic sensibility, Wood is clever to point out that Hitchcock was always dependent on the help of others, most importantly his wife, Alma, whom he outwardly relied on for artistic council—and without whom he may not have been so prolific or revered.
The breadth of Hitchcock’s career and personal life defies easy summation, but Wood’s quickly paced, informative biography is a welcome primer for anyone interested in learning more about one of film’s most important figures.Pub Date: March 24, 2015
ISBN: 978-0-544-45622-8
Page Count: 144
Publisher: Amazon/New Harvest
Review Posted Online: Jan. 7, 2015
Kirkus Reviews Issue: Jan. 15, 2015
PROFILES
A captivating, redemptive chronicle of a year in which Smith looked intently into the abyss.
This chronicle of a chaotic year filled with deep losses and rich epiphanies finds the writer and performer covering a whole lot of ground.
In terms of the calendar, Smith’s latest memoir has a tighter focus than its predecessors, M Train (2015) and Just Kids (2010), which won the National Book Award. The titular year is 2016, a year that would begin just after the author turned 69 and end with her turning 70. That year, Smith endured the death of her beloved friend Sandy Pearlman, the music producer and manager with whom she would “have coffee at Caffé Trieste, peruse the shelves of City Lights Bookstore and drive back and forth across the Golden Gate listening to the Doors and Wagner and the Grateful Dead”; and the decline of her lifelong friend and kindred spirit Sam Shepard. She held vigil for Pearlman at his hospital deathbed, and she helped Shepard revise his final manuscript, taking dictation when he could no longer type. Throughout, the author ponders time and mortality—no surprise considering her milestone birthday and the experience of losing friends who have meant so much to her. She stresses the importance of memory and the timeless nature of a person’s spirit (her late husband remains very much alive in these pages as well). Seeing her own reflection, she thinks, “I noticed I looked young and old simultaneously.” She refers to herself as the “poet detective,” and this particular year set her on a quixotic quest, with a mysterious companion unexpectedly reappearing amid a backdrop of rock touring, lecture touring, vagabond traveling, and a poisonous political landscape. “I was still moving within an atmosphere of artificial brightness with corrosive edges,” she writes, “the hyperreality of a polarizing pre-election mudslide, an avalanche of toxicity infiltrating every outpost.”
A captivating, redemptive chronicle of a year in which Smith looked intently into the abyss.Pub Date: Sept. 24, 2019
ISBN: 978-0-525-65768-2
Page Count: 192
Publisher: Knopf
Review Posted Online: June 24, 2019
Kirkus Reviews Issue: July 15, 2019
SEEN & HEARD
Her biographer, James Westcott, once said: “every time she tells a story, it gets better,” and one can’t help but wait in...
Legendary performance artist Abramovic unveils her story in this highly anticipated memoir.
When she was growing up, the author lived in an environment of privilege in Yugoslavia, which was on the verge of ruin. Her parents, two fervent communist partisans and loyal officers during Josip Broz Tito’s rule, were not the warmest people. Abramovic was put under the care of several people, only to be taken in by her grandmother. “I felt displaced and I probably thought that if I walked, it meant I would have to go away again somewhere,” she writes. Ultimately, she carried this feeling of displacement throughout most, if not all, of her career. Many remember The Artist Is Present, her 2010 performance at the Museum of Modern Art in New York during which she sat in front of museumgoers for 736 hours, but her work started long before then. As a woman who almost single-handedly launched female performance art, the author has spent the better part of her life studying the different ways in which the body functions in time and space. She pushed herself to explore her body’s limits and her mind’s boundaries (“I [have] put myself in so much pain that I no longer [feel] any pain”). For example, she stood in front of a bow and arrow aimed at her heart with her romantic and performance partner of 12 years, Ulay. She was also one of the first people to walk along the Great Wall of China, a project she conceived when secluded in aboriginal Australia. While the author’s writing could use some polishing, the voice that seeps through the text is hypnotizing, and readers will have a hard time putting the book down and will seek out further information about her work.
Her biographer, James Westcott, once said: “every time she tells a story, it gets better,” and one can’t help but wait in anticipation of what she is concocting for her next tour de force.Pub Date: Oct. 25, 2016
ISBN: 978-1-101-90504-3
Page Count: 384
Publisher: Crown Archetype
Review Posted Online: Aug. 20, 2016
Kirkus Reviews Issue: Sept. 1, 2016
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
