Profusely illustrated program “guide” that stands quite well on its own.
The British producer of much-praised educational TV blockbusters along with their printed companions (In the Footsteps of Alexander the Great, 2000, etc.) does up the life of the Bard with gusto.
Wood comes to the task steeled with an attitude: the world’s greatest playwright was a real person who did write the plays published under his name, albeit frequently as a collaborator or making liberal use of others’ original material, and Shakespeare’s work should ultimately be considered as a product of his time and place. Giving credence to coincidence in a way that allows him access to intriguing conclusions from which more rigid researchers have generally abstained, the author produces a titillating text not quite within the bounds of formal scholarship. Yet Wood, trained as a medievalist, has done plenty of homework. In parsing a reference to a fleeing Cleopatra as “a cow in June, with the breeze upon her,” for instance, he finds an example of Shakespeare’s injection of barnyard Warwickshire dialect, in which “breeze” refers not to wind but to a pack of gadflies, here metaphors for the queen’s Roman pursuers. The author’s perspective is freshest when outlining the stark realities of the Elizabethan Reformation, a police state imposing a sharp left turn on the ecclesiastical practices of an entire nation on pain of the rack or the gallows (or both). This was the formative milieu for young Will, descended from staunch Catholics on both sides of his family; Wood provocatively argues that Shakespeare later sought to bestow on posterity the crypto-pagan myths of heroes, goblins, fairies, etc., that Puritans lumped with “popish” practices by alluding to this vanishing culture in his major works. The poet’s “lost years” are still much occluded, the author allows, but Wood supports William Herbert as the sonnets’ boy love object (possibly unconsummated).
Profusely illustrated program “guide” that stands quite well on its own.Pub Date: Oct. 1, 2003
ISBN: 0-465-09264-0
Page Count: 352
Publisher: Perseus
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2003
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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