The best rendering of Satan’s forays into old Catholic France remains Aldous Huxley’s still vital Devils of Loudun. Go there...
A scholarly work for hardy souls who enjoy reading about tortured ones.
In France, ever since Sartre, heavyweight intellectuals have gained fame by writing inscrutable prose. De Certeau’s study, originally published in France in 1970, is exemplary in that regard, and Americans (the heirs of Twain and Hemingway) will find it hard going. De Certeau, the late, distinguished Jesuit scholar, was the right historian to try to bring fresh perspectives to the events of demonic possession, exorcism, and religious belief that convulsed a community in western France in the 1630s. It is a story that might appeal to fans of Stephen King if only they had the patience to wade through this version of it. For it is a fantastic tale of religion gone mad, cruel torment, grand hypocrisy, clever play-acting, and great courage in a time gone by. The genuine strangeness of the devil’s supposed possession of some nuns (through the vehicle of a parish priest) remains gripping and can’t fail to move even the most agnostic modern audience—except in this tortured text, an artifact of literary “new historicism.” De Certeau provides ample selections from contemporary documents, each foreign and curious to modern eyes. He also emphasizes the dramaturgic qualities of the cruel medical and psychological examinations of the possessed, the stout faith of the condemned priest, and the lively public debates that surrounded his trial. But do readers have to be tried, too? Translator Smith must have been sorely taxed to render the original into some semblance of clear English. As if acknowledging his difficulty, he leaves some passages in the original Latin and French—fine for specialist scholars and graduate students but not so for normal souls looking for greater insight into an infamous series of events.
The best rendering of Satan’s forays into old Catholic France remains Aldous Huxley’s still vital Devils of Loudun. Go there first. (32 illustrations, not seen)Pub Date: July 1, 2000
ISBN: 0-226-10035-9
Page Count: 258
Publisher: Univ. of Chicago
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2000
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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