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The Three Graces

An engaging fantasy story about letting go of the past and learning to love oneself.

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Three young women, shaken by mysterious episodes in which they transcend time and space, forge an unlikely friendship in Wolfe’s charming debut novel.

It’s the fall semester at Boulder, Colorado’s Stone College for juniors Jessie, Sara, and Isabel, but midterm exams are the least of these girls’ worries. For each girl, what started as a few unsettling sensations—such as hearing music when none was playing or inexplicably smelling salt water—becomes something far more intense. It turns out that each co-ed has access to a hidden world. Their experiences, which seem like premonitions, aren’t always pleasant: Jessie becomes trapped inside a maze; Isabel finds herself marooned in a seaside cave; and chains “slither up” Sara’s arms and legs. As pressures at home and school begin to mount, the girls escape to California for what’s supposed to be a fun-filled getaway. However, their baffling out-of-body incidents continue. During a visit to Hearst Castle, Jessie, Sara, and Isabel are drawn toward a marble statue depicting the goddesses Brilliance, Joy, and Bloom. Can the connections they establish with the deities help them conquer their fears and put an end to their otherworldly excursions? Or has it just brought them closer to the forces they hope to escape? Although several supernatural elements skirt around the plot’s edges, the focus of this tale is on friendship. Jessie, Sara, and Isabel find one another at a critical point, as each woman questions herself and her future. Although the strange places in which they find themselves can be unsettling, it’s a credit to Wolfe that the most memorable passages are set in the real world. One such scene comes early in the novel as Isabel, who struggles to connect with her parents, watches her mother loosen her father’s boots after the old man has fallen asleep in his recliner: “It was only in moments like this, just glimpses really, when she felt anything for them,” Wolfe writes. “And how horrible was that?” Other epiphanies reveal themselves just as quietly, making for an unexpectedly tender—and honest—coming-of-age tale.

An engaging fantasy story about letting go of the past and learning to love oneself. 

Pub Date: June 6, 2014

ISBN: 978-1-941668-02-3

Page Count: 280

Publisher: Then Three Graces

Review Posted Online: Oct. 2, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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