An engaging fantasy story about letting go of the past and learning to love oneself.
Three young women, shaken by mysterious episodes in which they transcend time and space, forge an unlikely friendship in Wolfe’s charming debut novel.
It’s the fall semester at Boulder, Colorado’s Stone College for juniors Jessie, Sara, and Isabel, but midterm exams are the least of these girls’ worries. For each girl, what started as a few unsettling sensations—such as hearing music when none was playing or inexplicably smelling salt water—becomes something far more intense. It turns out that each co-ed has access to a hidden world. Their experiences, which seem like premonitions, aren’t always pleasant: Jessie becomes trapped inside a maze; Isabel finds herself marooned in a seaside cave; and chains “slither up” Sara’s arms and legs. As pressures at home and school begin to mount, the girls escape to California for what’s supposed to be a fun-filled getaway. However, their baffling out-of-body incidents continue. During a visit to Hearst Castle, Jessie, Sara, and Isabel are drawn toward a marble statue depicting the goddesses Brilliance, Joy, and Bloom. Can the connections they establish with the deities help them conquer their fears and put an end to their otherworldly excursions? Or has it just brought them closer to the forces they hope to escape? Although several supernatural elements skirt around the plot’s edges, the focus of this tale is on friendship. Jessie, Sara, and Isabel find one another at a critical point, as each woman questions herself and her future. Although the strange places in which they find themselves can be unsettling, it’s a credit to Wolfe that the most memorable passages are set in the real world. One such scene comes early in the novel as Isabel, who struggles to connect with her parents, watches her mother loosen her father’s boots after the old man has fallen asleep in his recliner: “It was only in moments like this, just glimpses really, when she felt anything for them,” Wolfe writes. “And how horrible was that?” Other epiphanies reveal themselves just as quietly, making for an unexpectedly tender—and honest—coming-of-age tale.
An engaging fantasy story about letting go of the past and learning to love oneself.Pub Date: June 6, 2014
ISBN: 978-1-941668-02-3
Page Count: 280
Publisher: Then Three Graces
Review Posted Online: Oct. 2, 2015
Kirkus Reviews Issue: Nov. 1, 2015
Review Program: Kirkus Indie
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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