Not a perfect collection—but it comes close.
Bitting (Good Friday Kiss, 2008, etc.) returns with earthy, adventurous and existential free verse.
Bitting is the rare poet who clearly understands that sublimity is never more than one overwrought image away from absurdity. Though clearly capable of the sublime, she is careful to counterbalance the sacred with the profane and the transcendent with the commonplace in crafting what is, on the whole, a forcefully well-proportioned collection. In “Mammary,” for instance, narrator and reader are transported by a chain of associations from the highway sights outside the narrator’s car to visions of her friend’s body as she undergoes a mastectomy. What begins as psychological free association grows increasingly mystical (and worshipful) as the narrator evokes Promethean suffering—"I imagine birds and flight / as the elliptical sweep of sharpness / cuts the pale sky of your chest, / steel beaks of surgical tools / carving out the flesh cream, / making smoke of tumor meat”—before resurrecting her friend’s breasts as “two blond angels, / flying out / beyond the moon’s milky scar” to “spread their innocence." As counterweight to such moments of profound pathos, Bitting demystifies some of life’s most hallowed experiences, such as in “Birth,” a darkly humorous portrayal of childbirth as a telescoping series of indignities in which a Demerol-injected mother on “a Jimi Hendrix acid trip” greets her “baby’s head galumphing / through the ravaged pit” with “a sphincter blast of feces.” Between these extremes, this collection covers a lot of ground—music, death, sex, family, autism, suicide, aging, food—but it always does so from the perspective of a thoroughly embodied narrator. There is a comfortable, even epicurean, egocentrism to Bitting’s narrators that insists on the primacy of the sensual. In this way, and in the way her narrators respond to mortality by burrowing even further into their own skins, Bitting proves herself a sister poet to Anne Sexton, Sharon Olds and Sheryl St. Germain. Yet even with her range, lighter poems like “His Hat,” a comic come-on to Johnny Depp, sometimes feel like filler.
Not a perfect collection—but it comes close.Pub Date: Jan. 15, 2012
ISBN: 978-0983136231
Page Count: 92
Publisher: Sacramento Poetry Center Press
Review Posted Online: March 29, 2012
Kirkus Reviews Issue: April 15, 2012
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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