Starts out fresh and funny, then turns awfully cute awfully fast. Still, the story is entertaining, and the author has a...
Amusing if overextended debut about the misadventures of a Colorado waitress.
Annie Lee Fleck would like to have a baby, and there’s no physical reason why she can’t. Her husband Lucas, an innovative chef, is lusty and loving; the kindly local doctor has assured her it’s only a matter of time. But Annie is given to obsessions, and she’s soon preoccupied with ovulation schedules and other minutiae of conception. In fact, she wants a baby so much that she invents one. She calls the 800 number of Poison Control and says worriedly that her imaginary child, Sydney, has swallowed a leaf from an ornamental orange tree. Delighted by the caring response she gets from the unknown phone counselor, Annie Lee calls them more and more. This isn’t her only idiosyncrasy. She also spends her off-hours dreaming up new paint colors—mixed for her by the long-suffering owner of the hardware store—and repainting every room in the old Victorian house she shares with Lucas. And she invents and collects fortunes, epigrams, mottos, and the like. When Lucas overhears one of her Poison Control calls, he decides his eccentric wife has gone too far. He decamps to his mother’s house in Seattle to think things over, and Annie finds out upon his return that he ran into an old flame. Can this marriage be saved? Perhaps. Annie Lee swallows a huge diamond left in a martini by a nutty customer, who then gives it to her. With a little money at last, she and Lucas plan to open a restaurant. The bottom floor of their old house should prove ideal for this purpose—why, pots and pans stick to the walls, as if by magic! Readers may well be weary of whimsical complications by the time the elderly next-door neighbors explain this phenomenon.
Starts out fresh and funny, then turns awfully cute awfully fast. Still, the story is entertaining, and the author has a talent for quirky characterization.Pub Date: Aug. 8, 2001
ISBN: 0-446-52690-8
Page Count: 280
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2001
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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