Memorable people, a touching love story, and history brought alive by a talented newcomer.

THE ROSE GROWER

An impoverished noblewoman falls in love while trying to cultivate the first scarlet rose—in a moving and intelligently rendered first novel about the French Revolution as experienced in the provinces.

In short, crisp chapters and impeccably elegant prose, Australian writer de Kretser depicts three sisters and their father struggling to survive as their world falls apart when political treachery and revolutionary terror invade even their quiet corner of the countryside. The story begins on July 14, 1789, when handsome American artist Stephen Fletcher falls from his balloon into the fields of the Saint-Pierre family. Widowed father Jean-Baptiste, eldest daughter Claire, 22-year-old Sophie, and precocious 8-year-old Mathilde make Stephen welcome on a day that will change their lives—and France—forever. Sophie, whose solace lies in the growing of roses, finds herself futilely attracted to Stephen, who falls in love with Claire, who is married to a wealthy but boorish noble. Jean-Baptiste, a gourmet and magistrate, is in favor of the revolution, but as democratic ideals give way to The Terror, he begins to worry about his daughters’ safety. By 1793, the Saint-Pierres’ village in Gascony will be controlled by a ruthless ideologue bent on exterminating every so-called enemy of the revolution, however innocent; and, as the guillotinings accelerate, Joseph Morel, a physician and a revolutionary with a conscience, will fall in love with Sophie and be encouraged by her father to press his suit. But love and happiness for the Saint Pierre sisters are subject to the times—in this case, times that may not be particularly hospitable to the ordinary joys of everyday life.

Memorable people, a touching love story, and history brought alive by a talented newcomer.

Pub Date: June 1, 2000

ISBN: 0-7867-0733-X

Page Count: 304

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 2000

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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