Very fine indeed.
A sparkling picture-book biography of the dauntless organizer of the titular strike.
Immigrant Clara Lemlich was tiny and spoke little English, but she not only worked to support her family in a factory that made women’s clothing, but read and studied at night. When the male workers talked about a strike to protest their fearsome working conditions, they thought the girls weren’t strong enough to join them. But it was Clara who finally—in Yiddish—called for a general strike. She was arrested 17 times and beaten, but the strike won the right to unionize for workers in many factories (but not the Triangle Waist Factory, whose gruesome fire claimed 146 lives in 1911). Markel’s text is well-supported by Sweet’s watercolor, gouache and mixed-media images, some clearly based on archival photographs. What catches the heart are the bits of stitching on cloth ribbons that outline or accent some of the pages and the sweet, determined faces of these girls. They were girls indeed, some as young as 12, most in their teens and early 20s. A bibliography of primary and secondary sources and a note about the garment industry fills in some more background, including Clara’s further work in the labor movement, and the fact that 70 percent of the workers were between 16 and 25 and that most were Eastern European Jews and Italians.
Very fine indeed. (Picture book/biography. 5-9)Pub Date: Feb. 1, 2013
ISBN: 978-0-06-180442-7
Page Count: 32
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Nov. 13, 2012
Kirkus Reviews Issue: Dec. 1, 2012
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
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An uncomplicated opener, with some funny bits and a clear but not heavy agenda.
Hank Zipzer, poster boy for dyslexic middle graders everywhere, stars in a new prequel series highlighting second-grade trials and triumphs.
Hank’s hopes of playing Aqua Fly, a comic-book character, in the upcoming class play founder when, despite plenty of coaching and preparation, he freezes up during tryouts. He is not particularly comforted when his sympathetic teacher adds a nonspeaking role as a bookmark to the play just for him. Following the pattern laid down in his previous appearances as an older child, he gets plenty of help and support from understanding friends (including Ashley Wong, a new apartment-house neighbor). He even manages to turn lemons into lemonade with a quick bit of improv when Nick “the Tick” McKelty, the sneering classmate who took his preferred role, blanks on his lines during the performance. As the aforementioned bully not only chokes in the clutch and gets a demeaning nickname, but is fat, boastful and eats like a pig, the authors’ sensitivity is rather one-sided. Still, Hank has a winning way of bouncing back from adversity, and like the frequent black-and-white line-and-wash drawings, the typeface is designed with easy legibility in mind.
An uncomplicated opener, with some funny bits and a clear but not heavy agenda. (Fiction. 7-9)Pub Date: Feb. 14, 2014
ISBN: 978-0-448-48239-2
Page Count: 128
Publisher: Grosset & Dunlap
Review Posted Online: Dec. 10, 2013
Kirkus Reviews Issue: Jan. 1, 2014
BOOK REVIEW
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