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I'LL BE GONE IN THE DARK

ONE WOMAN'S OBSESSIVE SEARCH FOR THE GOLDEN STATE KILLER

An exemplary true-crime book, and with an HBO adaptation in the works, this book will be enjoyed by any reader with an...

The Golden State Killer is once again in the headlines after finally being caught. This book about the search for him is sure to catch—and keep—readers’ attention.

McNamara, a TV screenwriter and true-crime blog and magazine writer, was particularly captivated by the man she dubbed the Golden State Killer. A prolific criminal who left dozens of cold cases (including at least 12 murders and 50 rapes) in his wake, the GSK had been glimpsed but never seen, and the author was sure he would be caught despite evading police for over 30 years. She hunted him mostly through online research, and she became friends with other cold-case enthusiasts, detectives, and others who still pursued justice, giving her unparalleled access to information about the GSK and his crimes. In this explosive book, McNamara combines her prodigious research with her impressive storytelling skills and ability to seamlessly weave the narratives of all those lives into one terrifying story. Sadly, the author died in 2016 before finishing the book (her husband, Patton Oswalt, provides the afterword), and the manuscript was completed by investigative journalist Billy Jensen and her lead researcher, Paul Haynes. The last section of the book is written in exactly the style one would expect from an investigative journalist: no nonsense and loaded with facts and relevant observations. For armchair true-crime enthusiasts, this cold case, packed with countless cases and near misses, would have been captivating based on nothing but the dry facts. However, in McNamara’s skilled hands, this enthralling book becomes so much more: a detective story with an unlikely narrator, a study in changing forensic techniques, a multidecade saga that never loses urgency, and a potent analysis of human behavior in victims, witnesses, investigators, and onlookers.

An exemplary true-crime book, and with an HBO adaptation in the works, this book will be enjoyed by any reader with an interest in human nature, crime, puzzles, and investigative dramas.

Pub Date: Feb. 27, 2018

ISBN: 978-0-06-231978-4

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: May 1, 2018

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IN PIECES

Brimming with open introspection, engaging anecdotes, and gorgeous photographs, Field’s moving account sheds light on how...

A beloved actor attempts to assemble her fragmented past.

In her debut memoir, Field (b. 1946) takes to the page to explore her early life and storied acting career; she also pens an extended love letter to her mother, who died in 2011, on the author’s 65th birthday. Described by the author as “drop-your-jaw beautiful,” Margaret Morlan was discovered by a Paramount talent scout while sitting in a Pasadena Playhouse audience and instantly got a career at age 23. Affectionately called “Baa” by Field, Morlan never achieved anywhere near her eldest daughter’s screen credits, but she played a central role throughout Field’s life as both a peerless champion of and “backup generator” to her daughter’s burgeoning talents. Baa was also a complicated source of great psychological trauma, as she failed to protect her daughter from the sexual advances of her stepfather, stuntman Jock Mahoney. While the memoir details the rapid progression of Field’s childhood interest in acting to on-screen success in TV (from Gidget and The Flying Nun to winning the Emmy for Sybil in 1977) and film (for Norma Rae, she won “every award for best actress that existed in the United States”), Field’s narrative of her professional and personal achievements may be best viewed through the lens of her fraught relationship with Baa. “My cherished mother had known…something,” she writes. “What exactly that was, I didn’t want to hear, because even at that time, when I was middle-aged, I couldn’t bear the idea that she hadn’t run to my side….I had accepted the idea that I was broken in an effort to keep my mother whole.” Through acting, Field found a way to constitute herself: “By standing in Norma’s shoes, I felt my own feet. If I could play her, I could be me.”

Brimming with open introspection, engaging anecdotes, and gorgeous photographs, Field’s moving account sheds light on how playing larger-than-life figures has enabled her to keep her feet on the ground.

Pub Date: Sept. 18, 2018

ISBN: 978-1-5387-6302-5

Page Count: 416

Publisher: Grand Central Publishing

Review Posted Online: Oct. 11, 2018

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WARHOL

A fascinating, major work that will spark endless debates.

An epic cradle-to-grave biography of the king of pop art from Gopnik (co-author: Warhol Women, 2019), who served as chief art critic for the Washington Post and the art and design critic for Newsweek.

With a hoarder’s zeal, Andy Warhol (1928-1987) collected objects he liked until shopping bags filled entire rooms of his New York town house. Rising to equal that, Gopnik’s dictionary-sized biography has more than 7,000 endnotes in its e-book edition and drew on some 100,000 documents, including datebooks, tax returns, and letters to lovers and dealers. With the cooperation of the Andy Warhol Museum in Pittsburgh, the author serves up fresh details about almost every aspect of Warhol’s life in an immensely enjoyable book that blends snappy writing with careful exegeses of the artist’s influences and techniques. Warhol exploded into view in his mid-40s with his pop art paintings of Campbell’s Soup cans and silkscreens of Elvis and Marilyn. However, fame didn’t banish lifelong anxieties heightened by an assassination attempt that left him so fearful he bought bulletproof eyeglasses. After the pop successes, Gopnik writes, Warhol’s life was shaped by a consuming desire “to climb back onto that cutting edge,” which led him to make experimental films, launch Interview magazine, and promote the Velvet Underground. At the same time, Warhol yearned “for fine, old-fashioned love and coupledom,” a desire thwarted by his shyness and his awkward stance toward his sexuality—“almost but never quite out,” as Gopnik puts it. Although insightful in its interpretations of Warhol’s art, this biography is sure to make waves with its easily challenged claims that Warhol revealed himself early on “as a true rival of all the greats who had come before” and that he and Picasso may now occupy “the top peak of Parnassus, beside Michelangelo and Rembrandt and their fellow geniuses.” Any controversy will certainly befit a lodestar of 20th-century art who believed that “you weren’t doing much of anything as an artist if you weren’t questioning the most fundamental tenets of what art is and what artists can do.”

A fascinating, major work that will spark endless debates.

Pub Date: April 21, 2020

ISBN: 978-0-06-229839-3

Page Count: 976

Publisher: Ecco/HarperCollins

Review Posted Online: Dec. 1, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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