A cleverly told tale on a familiar theme.
A button learns that being a big brother is a big deal in Olson’s picture book.
Sam is used to being the littlest button in the craft box. Sometimes that’s a pain, but it also means Sam gets a lot of attention for being the smallest. When a new, smaller button—Maggie—is adopted, Sam is frustrated: Maggie copies him, tries to do things that are too advanced for her, and steals his favorite toy. Sam has no choice—he has to run away. But when Maggie follows him and almost gets swallowed up by the vacuum cleaner, Sam swings to the rescue (“Sam realized his sister needed a responsible button to look after her”). New mission established, Sam learns that there are benefits to no longer being the smallest button in the box. Olson’s clever combination of photographed elements and digital drawings and focus on younger characters will strongly appeal to her readers. She never packs too many words into the page, and her sentences are simple, letting her art do the heavy lifting of telling the story (Sam’s epic rescue, depicted on a wordless two-page spread, feels both heroic and giggle-worthy). Sam’s emotions about being a big sibling are familiar ones, and his journey from jealous grouch to role model resonates. Maggie is never villainized; she’s just young, giving Sam the chance to grow up gracefully.
A cleverly told tale on a familiar theme.Pub Date: Nov. 16, 2023
ISBN: 979-8986047225
Page Count: 42
Publisher: Bellie Button Books
Review Posted Online: Aug. 14, 2023
Kirkus Reviews Issue: Oct. 1, 2023
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
Sweet.
A caregiving bear shares with its cub how love has defined their relationship from the first moment and through the years as the cub has grown.
With rhymes and a steady rhythm that are less singsong-y than similar books, Stansbie seems to have hit a sweet spot for this offering on the I-love-you-always shelf. Readers follow the adult and child as they share special moments together—a sunset, a splash in a pond, climbing a tree, a snuggle—and the adult tells the child that the love it feels has only grown. Stansbie also takes care not to put promises in the adult bear’s mouth that can’t be delivered, acknowledging that physical proximity is not always possible: “Wherever you are, / even when we’re apart… // I’ll love you forever / with all of my heart.” The large trim size helps the sweet illustrations shine; their emphasis is on the close relationship between parent and child. Shaped peekaboo windows offer glimpses of preceding and succeeding pages, images and text carefully placed to work whatever the context. While the die cuts on the interior pages will not hold up to rough handling, they do add whimsy and delight to the book as a whole: “And now that you’re bigger, / you make my heart sing. / My / beautiful / wonderful / magical / thing.” Those last three adjectives are positioned in leaf-shaped cutouts, the turn of the page revealing the roly-poly cub in a pile of leaves, three formed by the die-cuts. Opposite, three vignettes show the cub appreciating the “beautiful,” the “wonderful,” and the “magical.”
Sweet. (Picture book. 3-5)Pub Date: Dec. 3, 2019
ISBN: 978-1-68412-910-2
Page Count: 32
Publisher: Silver Dolphin
Review Posted Online: Oct. 12, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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