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BEAT THE BLUES

A decades-old, honest love story that never feels like merely a time capsule.

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A Jersey Shore romance kindled in the swinging 1970s still smolders when old lovers come together in 2008.

Ronny Hopkins has long pined after his neighbor Katie Kline, the two young Belmar, New Jersey, natives often sharing time together over a little weed and “The White Album.” But Katie is a thoughtful girl, still affected by Robert F. Kennedy’s assassination in ’68, moved to explore the issues of the tumultuous era she is growing up in, and charmed by the adult allure of New York but also Ronny’s father. Although their adulterous affair is quickly recognized as a mistake, their liaison leaves behind a handful of nude Polaroids of Katie, which Ronny finds hidden away with his father’s dirty magazines. Yet when Ronny confronts her, the two make love. But a relationship seems untenable, as Katie stays busy paying her dues writing obits for the Village Voice, graduating to chasing stories for the newspaper, while Ronny relaxes on the Jersey Shore, working as a lifeguard and spending his nights at local bars. Worse, Katie struggles with panic attacks, and Ronny’s resentment over her past and present experiences sometimes culminates in violent or jealous outbursts. Distance, family deaths, and other love interests soon pull them apart, but when they reunite for a day in 2008, the remnants of their time together—not naked photographs but his unanswered love letters—promise to remind them of what they once were. Bennett (Summer Mirrors, 2015, etc.) returns to Belmar to tell a warts-and-all love story spanning decades, deftly breaking down the small moments that form long, awkward relationships. The first half of the novel is presented in fast-paced snippets of character and conversation. The dialogue is quick and relies heavily on the two protagonists’ understanding of each other, with their interactions full of in-jokes, slang, and references to their time together. There are recognizable hallmarks to differentiate the ’70s from the modern day, with numerous nods to the music, drug culture, and celebrities, and in the 2000s, that period’s technology. The book’s second half, taking place over a shorter amount of time, slows the pace considerably but keeps the engrossing tale’s most important aspect alive, its delicate switching between Ronny’s and Katie’s points of view.

A decades-old, honest love story that never feels like merely a time capsule.

Pub Date: June 21, 2018

ISBN: 978-1-947021-22-8

Page Count: 252

Publisher: Unsolicited Press

Review Posted Online: Aug. 9, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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