by Mick Conefrey ‧ RELEASE DATE: Nov. 10, 2015
Most of us will never experience K2. Conefrey leaves readers with both tremendous admiration for and an appreciation of the...
Chronicling the superhuman efforts to climb, though never conquer, the “Savage Mountain.”
Mount Everest may be the tallest and most famous mountain on Earth, but for real alpinists, K2, the world’s second-tallest peak, is by far the more daunting to climb. Some 800 feet shorter than Everest, K2 makes up the difference with ruthless weather, treacherous terrain, and an isolation that makes even approaching its base a challenge. Conefrey (Everest 1953: The Epic Story of the First Ascent of Everest, 2014, etc.) ably tells the story of the many attempts by hardy souls (and outsized characters) to reach the peak of this most formidable mountain. On July 31, 1954, more than a year after the first ascent of Everest, two Italians reached the summit of K2 against all odds. Achille Compagnoni and Lino Lacedelli were part of a far larger team whose work finally achieved what many thought would never be possible. However, the fleeting joy of accomplishment gave way to controversies and recriminations, elements that the author also revisits and deconstructs. Conefrey writes skillfully about mountaineering, and he knows its history and its many players, stars and bit actors alike. He successfully conveys the complexity and obstacles that these brave men faced. Occasionally, the different efforts to scale K2 take on a subtle repetition, and the book would benefit from both a glossary and an annotated cast of characters. But Conefrey makes the stakes clear and reveals the many rivalries and tensions that plagued even the best-equipped teams. In the epilogue, the author explores some of the lingering debates about the successful 1954 ascension.
Most of us will never experience K2. Conefrey leaves readers with both tremendous admiration for and an appreciation of the consequences for those who succeed in an adventure so physically, mentally, and emotionally taxing.Pub Date: Nov. 10, 2015
ISBN: 978-1-78074-595-4
Page Count: 336
Publisher: Oneworld Publications
Review Posted Online: Aug. 16, 2015
Kirkus Reviews Issue: Sept. 1, 2015
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by Bonnie Tsui ‧ RELEASE DATE: April 14, 2020
An absorbing, wide-ranging story of humans’ relationship with the water.
A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.
For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).
An absorbing, wide-ranging story of humans’ relationship with the water.Pub Date: April 14, 2020
ISBN: 978-1-61620-786-1
Page Count: 288
Publisher: Algonquin
Review Posted Online: Jan. 4, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Leanne Shapton ‧ RELEASE DATE: July 5, 2012
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.
A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.
Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.Pub Date: July 5, 2012
ISBN: 978-0-399-15817-9
Page Count: 288
Publisher: Blue Rider Press
Review Posted Online: May 6, 2012
Kirkus Reviews Issue: May 15, 2012
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