First vampire novel by sf writer Farren (Elvis and the Colonel, 1989, not reviewed) swaggers swankily and advances the genre by creating a new version of vampires' ancestry: Their creators came in UFOs, altered human DNA to fashion the new creatures, and, in their spare time, provided the inspiration for humankind's religions. Suave, thousand-year-old Victor Renquist, the Master of the nosferatu, who live in the Residence in Manhattan, must constantly temper the bloodlust of his followers, compelling them to restrict themselves to hospital bloodbags rather than living human prey. Victor is well aware that the colony risks extermination if it goes on a wilding and leaves exsanguinated bodies all over the city; after all, when European vampire families got out of hand in 1919, they were exterminated by the Church. Victor, who has sought to protect the colony by moving in the circles of the powerful and chic, has not left the Residence for two years, having become too famous for comfort. He's appeared in People magazine and on TV, has hosted parties for Henry Kissinger, Joan Collins, Edward Kennedy, Ivan Boesky, and even Mick Jagger. He is attended by a vampire Sicilian enforcer, Lupo, who calls Renquist Don Victor and treats him as Godfather. Also on hand is wildly intemperate young Carfax, who rebels against Victor's edict on bloodletting and plots to set up his own family. To complicate matters further, the time of ritual feasting, when the colony must replenish its energies by seeking live prey, is near. Wily Victor speculates that the feasting, if properly disguised, might be seen as the work of serial killers and psychopaths—if he can just keep his impetuous fellow vampires in line. Meanwhile, he is being pursued by Gideon Kelly, a defrocked whiskey priest on a vampire-hunting mission from God, and by a tough Manhattan police detective. The historical background offers considerable originality, while the storytelling speeds along with theatrical trumpery through predictable plot points.
Pub Date: Dec. 1, 1996
ISBN: 0-312-86213-X
Page Count: 384
Publisher: Tor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1996
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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