by Mick Inkpen ; illustrated by Chloë Inkpen ‧ RELEASE DATE: Dec. 10, 2019
Fred has certainly matured since his first outing. Readers may have mixed feelings about a third, though.
The untrained, exuberant dog and his patient child owner from I Will Love You Anyway (2016) are back, this time exploring the meaning of a name.
The puglike dog with the huge eyes, sweat bands, and tendency to run away has earned a ribbon from his dog obedience class. The pup now responds appropriately to “Fetch,” “Sit,” and “Stay” and knows “Ball,” “Walk,” “Park,” and “Bed.” But the meaning of the word “Fred” eludes him, the adorable tilt of his head conveying his confusion. Eager to please, the dog just wants to know how to “Fred” so he’ll earn a “Good Boy!” Maybe the dog upstairs (his reflection in a mirror) knows? What about the dog he spies in the water while chasing ducks in the park? Trying to play with that pup leads him to trouble. Luckily, his child comes to his rescue, snuggling the dog close and whispering his name. “A light goes on inside my head!” Fred’s his name, and he can now Fred with the best of them. A cozy ending celebrates the love between dog and child. While Mick Inkpen’s rhymes sometime belabor the point and nearly overstay their welcome, Chloë Inkpen’s illustrations against white backgrounds give readers a view from the dog’s perspective, and his expressions and body language convey much. Fred’s child, the only human in the book, presents white.
Fred has certainly matured since his first outing. Readers may have mixed feelings about a third, though. (Picture book. 4-7)Pub Date: Dec. 10, 2019
ISBN: 978-1-5344-1475-4
Page Count: 32
Publisher: Aladdin
Review Posted Online: Oct. 8, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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by Mo Willems ; illustrated by Mo Willems ‧ RELEASE DATE: Sept. 5, 2023
A stocking stuffer par excellence, just right for dishing up with milk and cookies.
Pigeon finds something better to drive than some old bus.
This time it’s Santa delivering the fateful titular words, and with a “Ho. Ho. Whoa!” the badgering begins: “C’mon! Where’s your holiday spirit? It would be a Christmas MIRACLE! Don’t you want to be part of a Christmas miracle…?” Pigeon is determined: “I can do Santa stuff!” Like wrapping gifts (though the accompanying illustration shows a rather untidy present), delivering them (the image of Pigeon attempting to get an oversize sack down a chimney will have little ones giggling), and eating plenty of cookies. Alas, as Willems’ legion of young fans will gleefully predict, not even Pigeon’s by-now well-honed persuasive powers (“I CAN BE JOLLY!”) will budge the sleigh’s large and stinky reindeer guardian. “BAH. Also humbug.” In the typically minimalist art, the frustrated feathered one sports a floppily expressive green and red elf hat for this seasonal addition to the series—but then discards it at the end for, uh oh, a pair of bunny ears. What could Pigeon have in mind now? “Egg delivery, anyone?”
A stocking stuffer par excellence, just right for dishing up with milk and cookies. (Picture book. 4-6)Pub Date: Sept. 5, 2023
ISBN: 9781454952770
Page Count: 40
Publisher: Union Square Kids
Review Posted Online: Sept. 12, 2023
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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