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ALL SHIPS FOLLOW ME

A FAMILY MEMOIR OF WAR ACROSS THREE CONTINENTS

The sins of the fathers are visited on their children, indeed. Eerkens’ poignant book sheds new light on the history of...

A generational memoir of war and its long-lasting effects on descendants.

History, the old saying goes, is written by the victors. The fortunes of the losers often go unnoticed, particularly if the losers are associated with a bad cause. So it was in the case of one side of Eerkens’ family, her grandfather a member of a Dutch nationalist party with ties to the Nazi occupiers. She writes dolefully of discovering an article of his that she turned up in the National Library, “someone who supposedly had Jewish colleagues and friends whom he spoke highly of, writing clearly anti-Semitic, racist nonsense for a racist NSB publication.” Understandably, that grandfather did not wish to discuss his past, and the author’s mother was too young to comprehend events, though her older siblings recalled being shunned and cursed by their neighbors. On the other side of the family and politics was her father, imprisoned with his family in the Dutch East Indies; Eerkens focuses closely on the fact that the Japanese military ran “brutal labor camps for civilian prisoners including women and children,” to terrible effect. The author examines the psychology of loss on the part of children caught helplessly in tumultuous events. In the case of her parents, who met as adults after the war and raised their family in California, their experiences lingered in large and small things—e.g., her mother’s frugality, explained by her aunt with the meaningful phrase, “we aren’t just automatically entitled to nice things.” Privations and fears became ancestral memories “imprinted on my genes.” Eerkens’ work takes on a particularly timely note when, in closing, she notes the rise of a new wave of nationalism, a time when “people I know and care about have endorsed candidates and political positions that I find unconscionable,” reverberating again through the generations.

The sins of the fathers are visited on their children, indeed. Eerkens’ poignant book sheds new light on the history of World War II.

Pub Date: April 2, 2019

ISBN: 978-1-250-11779-3

Page Count: 336

Publisher: Picador

Review Posted Online: Feb. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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