by Mieko Kawakami ; translated by Louise Heal Kawai ‧ RELEASE DATE: Jan. 23, 2018
Deceptive in its simplicity, this is a jewel of a book.
A small boy forms an attachment to a supermarket employee in this quiet Japanese novella.
The unnamed fourth grade protagonist lives with his mother and paternal grandmother; his father died years earlier. Fascinated by the woman he nicknames Ms Ice Sandwich, whose “eyelids are always painted with a thick layer of a kind of electric blue,” he buys egg sandwiches from her as often as he can. Overhearing derogatory comments about her botched cosmetic surgery, he struggles to understand how others fail to find her as intriguing and attractive as he does. His ailing grandmother, a source of unconditional love, is bedridden, and her pension helps support them, something he finds vaguely discomfiting. The boy has two friends who also don’t fit in: video game–obsessed Doo-Wop, and Tutti-Frutti, who lives alone with her father (her mother is deceased). The novel is a series of exquisite, vividly rendered observations seen through the innocent eyes of a bright, observant child. When he sees Ms Ice Sandwich, the feeling is like “when a blanket brushes the top of your feet. Or when butter turns transparent when it melts over your pancakes.” This charming story, best appreciated by contemplative readers, contains vignettes that will linger long after the last page is turned.
Deceptive in its simplicity, this is a jewel of a book. (Fiction. 12-adult)Pub Date: Jan. 23, 2018
ISBN: 978-1-78227-330-1
Page Count: 96
Publisher: Pushkin Press
Review Posted Online: Nov. 16, 2019
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by Kwame Alexander with Mary Rand Hess ‧ RELEASE DATE: Aug. 1, 2017
A contemporary hero’s journey, brilliantly told.
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The 17-year-old son of a troubled rock star is determined to find his own way in life and love.
On the verge of adulthood, Blade Morrison wants to leave his father’s bad-boy reputation for drug-and-alcohol–induced antics and his sister’s edgy lifestyle behind. The death of his mother 10 years ago left them all without an anchor. Named for the black superhero, Blade shares his family’s connection to music but resents the paparazzi that prevent him from having an open relationship with the girl that he loves. However, there is one secret even Blade is unaware of, and when his sister reveals the truth of his heritage during a bitter fight, Blade is stunned. When he finally gains some measure of equilibrium, he decides to investigate, embarking on a search that will lead him to a small, remote village in Ghana. Along the way, he meets people with a sense of purpose, especially Joy, a young Ghanaian who helps him despite her suspicions of Americans. This rich novel in verse is full of the music that forms its core. In addition to Alexander and co-author Hess’ skilled use of language, references to classic rock songs abound. Secondary characters add texture to the story: does his girlfriend have real feelings for Blade? Is there more to his father than his inability to stay clean and sober? At the center is Blade, fully realized and achingly real in his pain and confusion.
A contemporary hero’s journey, brilliantly told. (Verse fiction. 14-adult)Pub Date: Aug. 1, 2017
ISBN: 978-0-310-76183-9
Page Count: 464
Publisher: Blink
Review Posted Online: April 30, 2017
Kirkus Reviews Issue: May 15, 2017
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by Elana K. Arnold ‧ RELEASE DATE: Feb. 25, 2020
A timely and unabashedly feminist twist on a classic fairy tale.
Sixteen-year-old Bisou Martel’s life takes a profound turn after encountering an aggressive wolf.
Following an embarrassing incident between Bisou and her boyfriend, James, after the homecoming dance, a humiliated Bisou runs into the Pacific Northwest woods. There, she kills a giant wolf who viciously attacks her, upending the quiet life she’s lived with her Mémé, a poet, since her mother’s violent death. The next day it’s revealed that her classmate Tucker— who drunkenly came on to her at the dance—was found dead in the woods with wounds identical to the ones Bisou inflicted on the wolf. When she rescues Keisha, an outspoken journalist for the school paper, from a similar wolf attack, Bisou gains an ally, and her Mémé reveals her bloody and brave legacy, which is inextricably tied to the moon and her menstrual cycle. Bisou needs her new powers in the coming days, as more wolves lie in wait. Arnold (Damsel, 2018, etc.) uses an intriguing blend of magic realism, lyrical prose, and imagery that evokes intimate physical and emotional aspects of young womanhood. Bisou’s loving relationship with gentle, kind James contrasts with the frank exploration of male entitlement and the disturbing incel phenomenon. Bisou and Mémé seem to be white, Keisha is cued as black, James has light-brown skin and black eyes, and there is diversity in the supporting cast.
A timely and unabashedly feminist twist on a classic fairy tale. (Fantasy. 14-18)Pub Date: Feb. 25, 2020
ISBN: 978-0-06-274235-3
Page Count: 368
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Nov. 18, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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