An engrossing look into “anomalous phenomena” and investigative attempts to separate fact from fiction.
Can you believe it?
“Extraordinary claims require extraordinary evidence.” That famous dictum from astronomer Carl Sagan is at the heart of the TV series The Proof Is Out There, says Sancho, the History Channel show’s executive producer. Here, he details the investigations behind the claims, primarily those with evidence that be examined thoroughly (and that make for entertaining television). “At its core, this book is about anomalous phenomena that have been documented on video, still photography, or audio recordings,” he writes. “But on its deepest level, it is about the human desire for answers, for adventure, and for meaning.” Sancho attempts a balance between believers and skeptics—the crew of the latter includes scientists, engineers, audio/visual professionals, and magicians, each contributing expertise in a variety of fields. Videos, still photos, and audio recordings are subjected to many tests, and the program presents the results. Some are demonstrably fraudulent. Others feature “true believers” who are sincere in what they think they have seen and heard. And still others have evidence that can be validated. Examples include UFO sightings, which became a topic of serious discussion when commercial and military pilots began reporting anomalies seen in mid-flight, peaking in 2017, when video recorded by U.S. Navy aviators was released by the Pentagon. “Almost overnight, it became OK to talk about UFOs in polite company,” the author writes. Not surprisingly, Bigfoot, Sasquatch, and Yeti feature in these pages; most of the video “evidence” of them has been debunked, Sancho says. Sea monsters (Nessie, the Kraken), the ancient past (El Dorado, Atlantis, Stonehenge), and freaks of physics (wormholes, teleportation, time travel) also come under the microscope. “The world of the unexplained contains multitudes, Sancho writes. “It is a realm of journalistic inquiry; it touches on a broad swath of scientific disciplines. …It is also a world hideously polluted by fakery and fraud.”
An engrossing look into “anomalous phenomena” and investigative attempts to separate fact from fiction.Pub Date: May 5, 2026
ISBN: 9781668085455
Page Count: 320
Publisher: Atria
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
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