In a narrative that holds all the morbid fascination of a bad car wreck, the kid brother of Gary Gilmore—immortalized in Norman Mailer's The Executioner's Song, he campaigned for his own death and became the first person to be executed in America after the death penalty was reinstated in the 1970s—details a sickening family history of violence, rage, and lies that spans several generations. Mother Bessie, who was traumatized by her unforgiving Mormon parents (her father who was beaten with his own father's wooden leg, in turn would batter Bessie's brother until the gawky boy passed out), married Frank Gilmore, a Catholic 20-some years her senior. Frank neglected to mention that he had six ex-wives and several abandoned children. The son of a mother who withheld her love, Frank became a drunk and a thief who left home for months at a time and moved his family frequently to evade the law. To get back at him, Bessie had an affair and became pregnant by one of his sons from a previous marriage. He suspected Gary was not his (in fact, the oldest, Frank, Jr., wasn't) and particularly disdained him. Frank regularly and savagely beat Bessie, and Mikal's older brothers Gary, Frank, Jr., and Gaylen, and robbed them of all shreds of security and self-esteem. Gary, a gifted artist and very intelligent teenager, was sent to reform school because of his father's recalcitrance, and there he became a criminal. His stints in jail further turned him into the monster who senselessly murdered two young Mormon men. Mikal humanizes Gary, and tells of the wrenching legacy he and his other brothers inherited: alcoholic Gaylen died of knife wounds, probably inflicted by a jealous husband; Frank, Jr., cared for the mother who hated him until her death, and then became a recluse; and the youngest, Mikal, now a senior editor at Rolling Stone, lives with the guilt of being his father's favorite and the shame of being Gary's brother. Articulate, brave, and heartbreaking. (15 b&w photos, not seen) (First serial to Rolling Stone; film rights to Alan Pakula; Book-of-the-Month Club featured selection; Quality Paperback Book Club selection; author tour)
Pub Date: June 1, 1994
ISBN: 0-385-42293-8
Page Count: 416
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1994
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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