The title on the cover is a clue to the tale—“JUNK” is rendered in a rusty-colored scribbly style, while “YARD” is a light green with a grassy pattern—but the ultimate message is murky.
A frowning sun looks down on a yard full of junk where there’s not even enough room for a tree to take root. Austin’s scribbly digital illustrations are visually busy, full of discarded junky objects that are half recognizable, the rest of the pile taken up with patterned shapes. Mice scramble through the junkyard while two giant Munching Machines take on the job of eating everything. “They crunch boxcars, jelly jars, / crooked airplane wings. / And five dirty dump trucks / filled with curly metal springs.” Troublingly, though, they also slurp up tankers of oil and “tubs of toxic waste,” magically getting rid of it. The clean white background slowly begins to dominate, the two robots sweeping the yard clean for something new: trees and flowers, a garden, a playground, a mountain, a lake. But the final illustration seems to incorporate some of the junk in the new play space. Did the robots reuse those items? Is this recycling at work? The message is that garbage is bad and needs to be cleaned up, but it also seems to suggest that this is simple and never mentions anything about reducing what one uses and throws away. While some kids will be fascinated with the robotic Munching Machines, the takeaway is unclear, and the represented ease of getting rid of garbage is certainly wrong. (Picture book. 4-8)
Pub Date: Jan. 14, 2014
ISBN: 978-1-4424-5961-8
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Nov. 12, 2013
Kirkus Reviews Issue: Dec. 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
A good bet for the youngest bird-watchers.
Echoing the meter of “Mary Had a Little Lamb,” Ward uses catchy original rhymes to describe the variety of nests birds create.
Each sweet stanza is complemented by a factual, engaging description of the nesting habits of each bird. Some of the notes are intriguing, such as the fact that the hummingbird uses flexible spider web to construct its cup-shaped nest so the nest will stretch as the chicks grow. An especially endearing nesting behavior is that of the emperor penguin, who, with unbelievable patience, incubates the egg between his tummy and his feet for up to 60 days. The author clearly feels a mission to impart her extensive knowledge of birds and bird behavior to the very young, and she’s found an appealing and attractive way to accomplish this. The simple rhymes on the left page of each spread, written from the young bird’s perspective, will appeal to younger children, and the notes on the right-hand page of each spread provide more complex factual information that will help parents answer further questions and satisfy the curiosity of older children. Jenkins’ accomplished collage illustrations of common bird species—woodpecker, hummingbird, cowbird, emperor penguin, eagle, owl, wren—as well as exotics, such as flamingoes and hornbills, are characteristically naturalistic and accurate in detail.
A good bet for the youngest bird-watchers. (author’s note, further resources) (Informational picture book. 4-7)Pub Date: March 18, 2014
ISBN: 978-1-4424-2116-5
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Jan. 3, 2014
Kirkus Reviews Issue: Jan. 15, 2014
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