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SLEEPWALK WITH ME

AND OTHER PAINFULLY TRUE STORIES

Average comedian-writes-a-book career padding. This same material is more enjoyable in Birbiglia’s stage act.

Popular comedian Birbiglia reminisces about his wacky childhood pipe dreams, sleep disorders and occupational and social failures.

In the Comedy Central regular’s first foray into the book business, the author engages in plenty of self-deprecating put-downs, non sequiturs and underdog-loser stories. However, other than some typical bits of social unease during childhood and a late start in dating women, Birbiglia isn’t quite the loser he makes himself out to be. His father, a successful doctor, sent him to a posh private Catholic high school, and he eventually gained admission to Georgetown University. Birbiglia takes the reader through his mildly humorous failures as an adolescent break dancer, schoolboy basketball player, womanizer, rapper and science student. He also delivers predictable material on gluttony, bodily functions and sleepwalking, and he milks his parents’ inability to cope with the Internet for some reliable parents-are-so-out-of-touch collegiate humor. The most entertaining parts of the book focus on his lean years as a struggling comic in New York, complete with crappy temp jobs, absurd focus-group gigs, a chronically low bank balance and failed early gigs in college lunchrooms. When the author tries to cover more serious matters such as love and relationships, he seems unsure whether to approach these personal issues with ironic distance or to break character and attempt to cast an air of pathos. On the whole, Birbiglia ably caters to a straight-male, frat-boy audience, keeping the humor light, snappy and chock full of references to junk food, cable TV, Internet porn and general lowbrow pop culture.

Average comedian-writes-a-book career padding. This same material is more enjoyable in Birbiglia’s stage act.

Pub Date: Oct. 12, 2010

ISBN: 978-1-4391-5799-2

Page Count: 208

Publisher: Simon & Schuster

Review Posted Online: Aug. 9, 2010

Kirkus Reviews Issue: Sept. 1, 2010

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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