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THE LAST SAVANNA

Will make readers sweat with its relentless pace and blistering descriptions of the African sun.

Awards & Accolades

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A special unit of soldiers in East Africa tracks down elephant poachers and searches for a female archaeologist who’s been kidnapped in Bond’s latest adventure (Saving Paradise, 2013, etc.).

Ian MacAdam, formerly of the British Special Forces, is living an unhappy married life on an African ranch. He agrees to join a team to combat poachers targeting Kenya’s elephants, which are dangerously low in numbers. But when a trio of Somali men assault a camp of archaeologists, it becomes personal for MacAdam. One of the people taken hostage is Rebecca Hecht, MacAdam’s former girlfriend. He braves the vast, unforgiving desert to rescue the woman he still loves. The novel is sheer intensity, depicting the immense, arid land and never-ending scenes of people trekking across it. The villains are clear from the beginning: a Samburu warrior survives the harsh desert and its resident animals only to be gunned down by a Somali poacher, simply for the warrior’s lion pelt. Despite this, the three men holding Rebecca captive—Ibrahim, Rashid and Warwar—are so strongly developed that the youngest, Warwar, is almost sympathetic (to both readers and Rebecca); though he wants to sell or ransom the woman, the other two see no value in her and would rather kill her. The fierce African heat radiates from the pages; mosquitoes zoom around characters, and the air burns MacAdam’s throat, while his perspiration blinds him. But it’s the volatile nature of nature itself that gives the story its greatest distinction; Kenya is inhabited by creatures both beautiful and menacing. That MacAdam is out to save the elephants doesn’t stop a buffalo from charging him; when Rebecca tries to escape her captors, she realizes that a trailing leopard could be a much more unpleasant enemy. Readers should brace themselves for the book’s unabated savagery, mostly, if not all, from its human characters: A scene of poachers attacking and killing elephants is not easy to forget. But it does allow for a bit of zealous glee when MacAdam convinces himself to help track down poachers “to hunt the only animal worth hunting.”

Will make readers sweat with its relentless pace and blistering descriptions of the African sun.

Pub Date: Aug. 15, 2013

ISBN: 978-1627040082

Page Count: 320

Publisher: Mandevilla Press

Review Posted Online: June 5, 2014

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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