Will make readers sweat with its relentless pace and blistering descriptions of the African sun.
A special unit of soldiers in East Africa tracks down elephant poachers and searches for a female archaeologist who’s been kidnapped in Bond’s latest adventure (Saving Paradise, 2013, etc.).
Ian MacAdam, formerly of the British Special Forces, is living an unhappy married life on an African ranch. He agrees to join a team to combat poachers targeting Kenya’s elephants, which are dangerously low in numbers. But when a trio of Somali men assault a camp of archaeologists, it becomes personal for MacAdam. One of the people taken hostage is Rebecca Hecht, MacAdam’s former girlfriend. He braves the vast, unforgiving desert to rescue the woman he still loves. The novel is sheer intensity, depicting the immense, arid land and never-ending scenes of people trekking across it. The villains are clear from the beginning: a Samburu warrior survives the harsh desert and its resident animals only to be gunned down by a Somali poacher, simply for the warrior’s lion pelt. Despite this, the three men holding Rebecca captive—Ibrahim, Rashid and Warwar—are so strongly developed that the youngest, Warwar, is almost sympathetic (to both readers and Rebecca); though he wants to sell or ransom the woman, the other two see no value in her and would rather kill her. The fierce African heat radiates from the pages; mosquitoes zoom around characters, and the air burns MacAdam’s throat, while his perspiration blinds him. But it’s the volatile nature of nature itself that gives the story its greatest distinction; Kenya is inhabited by creatures both beautiful and menacing. That MacAdam is out to save the elephants doesn’t stop a buffalo from charging him; when Rebecca tries to escape her captors, she realizes that a trailing leopard could be a much more unpleasant enemy. Readers should brace themselves for the book’s unabated savagery, mostly, if not all, from its human characters: A scene of poachers attacking and killing elephants is not easy to forget. But it does allow for a bit of zealous glee when MacAdam convinces himself to help track down poachers “to hunt the only animal worth hunting.”
Will make readers sweat with its relentless pace and blistering descriptions of the African sun.Pub Date: Aug. 15, 2013
ISBN: 978-1627040082
Page Count: 320
Publisher: Mandevilla Press
Review Posted Online: June 5, 2014
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
