by Mike Curato ; illustrated by Mike Curato ‧ RELEASE DATE: Aug. 29, 2017
A yummy, happy resolution—perfectly delectable to the preschool crowd.
Little Elliot (a small, white pachyderm with pastel polka dots) and his bestie, Mouse, need a respite from the big city’s grating sounds, slightly sickening smells, and frenetic pace.
The fourth in Curato’s Little Elliot series opens in an unnamed but recognizable New York City (again realized in sepia tones and 1940s fashions) but quickly follows the two companions into the rolling hills of the country. While young readers will enjoy tracking the friends’ bucolic autumnal escape (lolling under apple boughs, frolicking in leaf piles, crawling through logs, hiding in pumpkin patches), they might miss the pre–World War II period details of Little Elliot’s earlier urban adventures, those grainy snapshots from another era in felted browns. Indeed, all appears golden, barn red, and mossy green in the smooth, digitally colored farmland. When Little Elliot finds himself alone in a cornfield at nightfall, a double-page spread of spreading dusky darkness effectively breaks up the crisp clarity of the sunny country narrative with palpable fear. “He waited and waited, but Mouse never came.” Anxiety is banished when the whiff of apple pie tickles Little Elliot’s trunk and leads him to the waiting arms of Mouse and new barnyard friends—and a sweet feast!
A yummy, happy resolution—perfectly delectable to the preschool crowd. (Picture book. 3-6)Pub Date: Aug. 29, 2017
ISBN: 978-1-62779-640-8
Page Count: 40
Publisher: Henry Holt
Review Posted Online: May 23, 2017
Kirkus Reviews Issue: June 15, 2017
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by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
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New York Times Bestseller
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Aaron Reynolds ; illustrated by Peter Brown
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by James Luna & illustrated by Laura Lacámara & translated by Carolina Villarroel ‧ RELEASE DATE: Nov. 30, 2010
The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)
Pub Date: Nov. 30, 2010
ISBN: 978-1-55885-586-1
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 24, 2010
Kirkus Reviews Issue: Oct. 15, 2010
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by James Luna ; illustrated by Monica Barela-di Bisceglie ; translated by Gabriela Baeza Ventura
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edited by Kurt Schweigman Lucille Lang Day introduction by James Luna
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