A treat for fans of the Little Elliot series.
Little Elliot, the white, polka-dot elephant, visits Santa at a New York department store with his friend Mouse.
He is looking for the Christmas spirit, but Santa tells him he’ll have to find that himself. Elliot and Mouse search at the ballet, Rockefeller Center, and while sledding—having fun but not finding the Christmas spirit. The story of the two friends is prefaced by wordless illustrations on the front endpapers and title page in which a little girl, bundled against the cold, tries to post a letter only to have it ripped out of her hands by the wind. The two stories come together when the red envelope addressed to Santa lands on Elliot’s forehead. He and Mouse read the letter, grab a cab, and arrive at a house with a red door, where Noelle, the girl who wrote the letter, invites them in, thus fulfilling both her and Elliot’s Christmas wishes. Not-a-word-out-of-place storytelling is enhanced by soft-focus illustrations done in pencil and colored digitally, which perfectly capture the characters’ expressions. The city setting seems to be post–World War II, with an old-fashioned look that could easily appeal to grandparents looking for a heartwarming holiday book to share. Young children will have fun trying to spot little Mouse throughout. Curato populates the pages with an eye to diversity, including people of color and a child who uses a wheelchair; Noelle appears to be Asian.
A treat for fans of the Little Elliot series. (Picture book. 3-7)Pub Date: Sept. 11, 2018
ISBN: 978-1-250-18589-1
Page Count: 40
Publisher: Henry Holt
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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