by Mike Dash ‧ RELEASE DATE: Dec. 1, 1999
A teasing, mildly skeptical, occasionally infuriating farrago of bizarre phenomena that struggles to remain intelligent and high-minded as it deconstructs reports of UFO encounters, the Loch Ness monster, telephone calls from the dead, and “abominable swamp slobs.” “If there is an underlying oneness in all things,” claimed Charles Fort, an obscure Baltimore compiler of allegedly true, if inexplicable, occurrences, then we can learn just as much about the human condition from what doesn’t make sense as from what does. In this thick volume of “Forteana,” Dash, a University of London Ph.D. in naval history and researcher for the international journal of strange doings, Fortean Times, takes a phenomenological approach: It doesn’t matter if what has been customarily dismissed as hokum, superstition, or badly digested mutton is a hoax or delusion; what does the occurrence mean for the people who claim to have experienced it, for those who report it, and for those whose eager explanations disguise a more penetrating truth? Is an urge to cling to ancient folk beliefs, for example, animating an urge to see monsters in deep lakes? Why is it that the aliens in UFO encounters tend to resemble science fiction characters? Does a Barnumesque contempt for a gullible public inspire back-country hicks to make circles in wheat fields, or fake Bigfoot prints? Dash can be fascinating as he exposes respected scientists and literary figures—from Arthur Conan Doyle to the hapless meteorologist who believed crop circles were caused by tornados—who dream up “scientific” explanations for outright hoaxes, communications with the dead, and phenomena like ESP that defy laboratory duplication. He becomes annoying only when he (all too often) hams up his cogent analyses with trite Twilight Zone monologues that liken these experiences to a visit to a mythical borderland. A peckishly melodramatic reminder that the source of so much superstition, blissful ignorance, and bad science is an unwillingness to live with mystery.
Pub Date: Dec. 1, 1999
ISBN: 1-87951-724-7
Page Count: 520
Publisher: Overlook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1999
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by Mike Dash
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by Mike Dash
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by Mike Dash
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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