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FREDDIE & ME

A COMING-OF-AGE (BOHEMIAN) RHAPSODY

Dull and uninspiring—could definitely use some of Freddie Mercury’s camp to liven things up.

Graphic memoir by a British lad who grew up obsessed by Queen and never grew out of it.

Eleven-year-old Dawson washed up on American shores in 1986, when he was interested in little beside battling with his sister over who was more all-important musically: Queen (his vote) or George Michael/Wham! (her weak competition). The cartoonist, creator of the comic-book series Gabagool!, strings together various life memories from an insecure childhood to an only mildly less insecure young adulthood, tracking along the way his obsession with Queen. High points included Dawson performing Queen songs at a talent show; the low point was probably being mocked by schoolmates after Freddie Mercury’s death in 1991. Credit should go to the author for not trying to make his life mirror too closely that of the complex (some would say pompous) arena-rock band—he doesn’t overdo his metaphor. Dawson’s artwork has a similarly unassuming quality, its slightly exaggerated style occasionally mindful of Peter Bagge’s Hate comics, but without the punk extremism. Occasional interludes imagine episodes in the career of George Michael (perhaps as a nod to the author’s sister?), but for the most part Dawson offers an uninterrupted flow of biographical data. Even though he’s supposedly the world’s greatest Queen fan, he never makes readers understand exactly what the band means to him. Long before the book is finished, his obsession with Queen seems more like a convenient hook than a topic he intends to explore in any depth.

Dull and uninspiring—could definitely use some of Freddie Mercury’s camp to liven things up.

Pub Date: June 1, 2008

ISBN: 978-1-59691-476-6

Page Count: 304

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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