by Mike Deas & illustrated by Mike Deas ‧ RELEASE DATE: Oct. 1, 2011
Squeaky-clean, good fun, even if a little underdeveloped.
A crisp, clear comic romp about two alien friends who uncover a gently sinister scheme that could destroy both their home planet and a small fishing town on Earth.
Stylistically reminiscent of Jar Jar Binks (though highly likable instead of annoying), Dalen and Gole are two extraterrestrial best friends who live for jet racing on their home planet Budap. When they lose a race to the obviously shifty Tunax (who wins a race with the assistance of a mysterious cloud of purple smoke), Dalen—the less cynical of the duo as well as the better loser—offers him both congratulations and an assist in putting his jet racer away. While doing so, Dalen and Gole accidentally discover a tunnel that transports the pair to Earth’s Port Angus, a small fishing village on the brink of ruin, as all of the fish have been disappearing. Upon further investigation, they learn that both the mysterious purple smoke and the missing fish share a “fishy” connection, and the twin fates of Budap and Port Angus lie in their hands. Deas’ art has a clarion brightness and is tidily paneled across the page. Driven mainly by cartoon action, the character development is lacking, and a truly likable character—Rachel, the Earth-girl who befriends Dalen and Gole—is left somewhat shapeless and one-dimensional.
Squeaky-clean, good fun, even if a little underdeveloped. (Graphic science fiction. 8-11)Pub Date: Oct. 1, 2011
ISBN: 978-1-55469-800-4
Page Count: 128
Publisher: Orca
Review Posted Online: Aug. 30, 2011
Kirkus Reviews Issue: Sept. 15, 2011
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by Nathaniel Lachenmeyer ; illustrated by Simini Blocker ‧ RELEASE DATE: June 18, 2019
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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by Nick Bruel ; illustrated by Nick Bruel ‧ RELEASE DATE: Dec. 29, 2020
This kid-friendly satire ably sets claws into a certain real-life franchise.
A trip to the Love Love Angel Kitty World theme park (“The Most Super Incredibly Happy Place on Earth!”) turns out to be an exercise in lowered expectations…to say the least.
When Uncle Murray wins a pair of free passes it seems at first like a dream come true—at least for Kitty, whose collection of Love Love Kitty merch ranges from branded underwear to a pink chainsaw. But the whole trip turns into a series of crises beginning with the (as it turns out) insuperable challenge of getting a cat onto an airplane, followed by the twin discoveries that the hotel room doesn’t come with a litter box and that the park doesn’t allow cats. Even kindhearted Uncle Murray finds his patience, not to say sanity, tested by extreme sticker shock in the park’s gift shop and repeated exposures to Kitty World’s literally nauseating theme song (notation included). He is not happy. Fortunately, the whole cloying enterprise being a fiendish plot to make people so sick of cats that they’ll pick poultry as favorite pets instead, the revelation of Kitty’s feline identity puts the all-chicken staff to flight and leaves the financial coffers plucked. Uncle Murray’s White, dumpy, middle-aged figure is virtually the only human one among an otherwise all-animal cast in Bruel’s big, rapidly sequenced, and properly comical cartoon panels.
This kid-friendly satire ably sets claws into a certain real-life franchise. (Graphic satire. 8-11)Pub Date: Dec. 29, 2020
ISBN: 978-1-250-20808-8
Page Count: 160
Publisher: Roaring Brook Press
Review Posted Online: Sept. 28, 2020
Kirkus Reviews Issue: Oct. 15, 2020
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