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DINNER FOR TWO

Name: DINNER FOR TWO
Author: Mike Gayle
ISBN: 0-7434-7766-9

by Mike Gayle ‧ RELEASE DATE: July 1, 2004

Slick and quick.

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Britisher Gayle (My Legendary Girlfriend, 2002) bowls another one down the lad-lit lane with this slight and lighthearted riff on fatherhood.

Dave, the Trinidadian music critic for Louder, “the magazine for people who live music,” and Izzy, his Anglo-Welsh-Polish wife, the deputy editor of the glossy women’s magazine Femme, are “poster children for the twin-income no-kids generation”—until the evening they set out to disprove an article Izzy has just edited on the decline in sexual activity among thirtysomething couples. Within weeks, the two are awaiting the results of a home pregnancy test. Dave finds himself more excited than Izzy about pending parenthood, and he writes a syrupy letter that begins, “Dear Foetus . . . .” When Izzy miscarries, Dave is eager to try again. Not she. Crisis Number One. Then Louder folds, and Dave slides into writing “sensitive male” articles for Femme and sitting in as an advice columnist at Teen Scene. He’s a surprise success at “Love Doctoring,” and his teenaged readers include one Nicola O’Connell, who writes him a letter identifying herself as Dave’s love-child, the result of a one-night stand with her mother in 1986 in Corfu. She’s recognized him from the photo on his column. Dave begins a clandestine parenting relationship with Nicola, meeting at a Burger King and beginning to feel like her father. But what to tell Izzy? All this is sappy at times, but Gayle is most nuanced in detailing Dave’s growing attachment to his daughter, and the complications her existence—and his secrecy—bring to his marriage. Along the way, the story’s enlivened by witty and knowing descriptions of the magazine world, including a sardonic pastiche of articles written from the sensitive guy’s point of view (“Women and the messages they leave on men’s answerphones”) and samples from Dave’s column (“Dear Love Doctor Dave, My dad caught me and my boyfriend lying on my bed kissing and he went ballistic. . . .”).

Slick and quick.

Pub Date: July 1, 2004

ISBN: 0-7434-7766-9

Page Count: 352

Publisher: Downtown Press/Pocket

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

Categories:

GENERAL FICTION

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THE MUSEUM OF ORDINARY PEOPLE
by Mike Gayle

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by Mike Gayle

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by Mike Gayle

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SUMMER ISLAND

by Kristin Hannah ‧ RELEASE DATE: March 1, 2001

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

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Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:

GENERAL FICTION

- BOOK REVIEW
THE WOMEN
by Kristin Hannah

- BOOK REVIEW
THE FOUR WINDS
by Kristin Hannah

- BOOK REVIEW
THE GREAT ALONE
by Kristin Hannah

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LAST ORDERS

by Graham Swift ‧ RELEASE DATE: April 5, 1996

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Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.