An imaginative but rather sedate fantasia.
Global warming, artificial intelligence, and bizarre artworks shape the world in this SF saga.
Karpa’s story is set in a near future in which humanity is steadily eliminating carbon emissions and reclaiming flooded land while making ubiquitous artificial intelligences do much of this work. Mardy, a 27-year-old air-express deliveryman and “machine tool artist” in San Francisco, crafts whimsical but functional gadgets. His latest project is a pair of semi-intelligent, dancing robots dubbed Ann and Frankie; it’s a challenge to the Authenticity Act, which decrees that AIs must not be given names or otherwise treated as human, lest they demand rights. However, some of Mardy’s best friends are AIs, including the slyly witty Phil, which controls an air-express plane and loves philosophical conversations. During Mardy’s journey through the gonzo American art scene, he navigates a rivalry with brilliant machine-tool artist Smith Hunt; launches an affair with Smith’s twin brother, Wes, a wealthy collector; offers his face as a canvas to his friend Cat (as plastic surgery is a major artistic medium); enters art competitions all around the country; and takes Ann and Frankie to the august Cleveburgh Institute, where a panel will either grant him fellowship or have him arrested for crimes against authenticity. Karpa presents a warmly optimistic take on the future in which climate change is manageable and artificial intelligence is soulful rather than sinister, as illustrated in deftly funny sketches: “ ‘How can I help you,’ an AI answered in a female voice, slightly raspy, as though the AI had been smoking.” Mardy’s artistic process showcases a similar humanism, and Karpa’s attentive, evocative prose revels in the fusion of technical craftsmanship and intuition: “The concept wasn’t exactly earthshaking—two chunky hover units to get it aloft and six little attitude puffers to keep it upright—but the conceit of a lighter in a world without cigarettes was fun.” But although there are many intriguing ideas coursing through Karpa’s fictive world, it’s so warmhearted, progressive, and well engineered that it doesn’t generate much serious conflict, so readers may not always feel fully invested.
An imaginative but rather sedate fantasia.Pub Date: Nov. 1, 2021
ISBN: N/A
Page Count: 324
Publisher: Mumblers Press LLC
Review Posted Online: Oct. 18, 2021
Kirkus Reviews Issue: Dec. 1, 2021
Review Program: Kirkus Indie
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Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.
In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.
Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.Pub Date: April 9, 2024
ISBN: 9781250884251
Page Count: 400
Publisher: Flatiron Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
Read this for the action-packed plot, not character development or worldbuilding.
On the orders of her mother, a woman goes to dragon-riding school.
Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.
Read this for the action-packed plot, not character development or worldbuilding.Pub Date: May 2, 2023
ISBN: 9781649374042
Page Count: 528
Publisher: Red Tower
Review Posted Online: Jan. 12, 2024
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