Technology aside, this future looks unimaginatively like the present, from university curriculum to social structures

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THE FUTURE WE LEFT BEHIND

This sequel to Human.4 (2012) portrays a not-exactly-science-y future.

Peter is the son of the man who saved the world by inventing robot bees. Destined by his wealthy genius father for a future in science, Peter rebels against both by enrolling in a literature class and befriending Alpha, a girl in a wacky religious cult. Alpha is a Strakerite, following the ancient tapes of Kyle Straker. Kyle and his girlfriend Lilly believed humans are regularly upgraded by aliens. Skeptical at first, Peter is soon convinced; if it doesn’t make sense that humans could have evolved the Link that acts as a telepathic Internet, then clearly it must be because Kyle was right about everything. Peter investigates: Is his father hiding something about the Straker tapes? Alpha has a job, too, even though she’s a girl: “Every upgrade has a Kyle and it has a Lilly,” Peter’s father explains. “…The Lilly paradigm follows her Kyle into the fire.” In choppy prose, Peter takes a journey of bad science and flawed logic in the hopes of saving the world. Despite logic-leaping plot development (which disconcertingly mirrors contemporary political arguments about evolution and “intelligent design”), Peter’s world contains some compelling science-fictional window dressing: not just robot bees but downloadable clothing and filaments allowing direct human-to-computer uplink.

Technology aside, this future looks unimaginatively like the present, from university curriculum to social structures . (Science fiction. 12-16)

Pub Date: Nov. 13, 2012

ISBN: 978-1-60684-410-6

Page Count: 384

Publisher: Egmont USA

Review Posted Online: Sept. 15, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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This is no didactic near-future warning of present evils, but a cinematic adventure featuring endearing, compelling heroes

LEGEND

From the Legend series , Vol. 1

A gripping thriller in dystopic future Los Angeles.

Fifteen-year-olds June and Day live completely different lives in the glorious Republic. June is rich and brilliant, the only candidate ever to get a perfect score in the Trials, and is destined for a glowing career in the military. She looks forward to the day when she can join up and fight the Republic’s treacherous enemies east of the Dakotas. Day, on the other hand, is an anonymous street rat, a slum child who failed his own Trial. He's also the Republic's most wanted criminal, prone to stealing from the rich and giving to the poor. When tragedies strike both their families, the two brilliant teens are thrown into direct opposition. In alternating first-person narratives, Day and June experience coming-of-age adventures in the midst of spying, theft and daredevil combat. Their voices are distinct and richly drawn, from Day’s self-deprecating affection for others to June's Holmesian attention to detail. All the flavor of a post-apocalyptic setting—plagues, class warfare, maniacal soldiers—escalates to greater complexity while leaving space for further worldbuilding in the sequel.

This is no didactic near-future warning of present evils, but a cinematic adventure featuring endearing, compelling heroes . (Science fiction. 12-14)

Pub Date: Nov. 29, 2011

ISBN: 978-0-399-25675-2

Page Count: 336

Publisher: Putnam

Review Posted Online: April 8, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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Heartbreaking, historical, and a little bit hopeful.

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SALT TO THE SEA

January 1945: as Russians advance through East Prussia, four teens’ lives converge in hopes of escape.

Returning to the successful formula of her highly lauded debut, Between Shades of Gray (2011), Sepetys combines research (described in extensive backmatter) with well-crafted fiction to bring to life another little-known story: the sinking (from Soviet torpedoes) of the German ship Wilhelm Gustloff. Told in four alternating voices—Lithuanian nurse Joana, Polish Emilia, Prussian forger Florian, and German soldier Alfred—with often contemporary cadences, this stints on neither history nor fiction. The three sympathetic refugees and their motley companions (especially an orphaned boy and an elderly shoemaker) make it clear that while the Gustloff was a German ship full of German civilians and soldiers during World War II, its sinking was still a tragedy. Only Alfred, stationed on the Gustloff, lacks sympathy; almost a caricature, he is self-delusional, unlikable, a Hitler worshiper. As a vehicle for exposition, however, and a reminder of Germany’s role in the war, he serves an invaluable purpose that almost makes up for the mustache-twirling quality of his petty villainy. The inevitability of the ending (including the loss of several characters) doesn’t change its poignancy, and the short chapters and slowly revealed back stories for each character guarantee the pages keep turning.

Heartbreaking, historical, and a little bit hopeful. (author’s note, research and sources, maps) (Historical fiction. 12-16)

Pub Date: Feb. 2, 2016

ISBN: 978-0-399-16030-1

Page Count: 400

Publisher: Philomel

Review Posted Online: Nov. 3, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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