“Bounce with The Daddy as he plays his fiddle. He’s eight long legs with a dot in the middle.” The poem, a mix of fact (both zoological and musical) and fancy, depicts a harvestman, or daddy longlegs, as a funky creature playing the blues, with a number of insects keeping time and accompanying him with the beat. A variety of settings, from a cafe for insects to a house from a human perspective, provides the backdrop to the poem. Kopelke’s illustrations of acrylic and colored pencil are alive with all kinds of creepy-crawlies—most decked out in groovy shades—who get down with the Daddy on multiple instruments and convene for a climactic concert onstage. For all their liveliness, however, the illustrations suffer from their depiction of the title character as a corpulent, short-legged fellow, which hardly matches the text’s description or children’s firsthand observations of the creature. A glossary of blues terms, definitions of the instruments played and a short description of the harvestman and the history of the blues is appended. The jazzy poem will be fun for sharing. (Picture book. 5-8)
Pub Date: Aug. 1, 2009
ISBN: 978-1-4027-4359-7
Page Count: 32
Publisher: Sterling
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
BOOK REVIEW
BOOK REVIEW
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
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