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THE DADDY LONGLEGS BLUES

“Bounce with The Daddy as he plays his fiddle. He’s eight long legs with a dot in the middle.” The poem, a mix of fact (both zoological and musical) and fancy, depicts a harvestman, or daddy longlegs, as a funky creature playing the blues, with a number of insects keeping time and accompanying him with the beat. A variety of settings, from a cafe for insects to a house from a human perspective, provides the backdrop to the poem. Kopelke’s illustrations of acrylic and colored pencil are alive with all kinds of creepy-crawlies—most decked out in groovy shades—who get down with the Daddy on multiple instruments and convene for a climactic concert onstage. For all their liveliness, however, the illustrations suffer from their depiction of the title character as a corpulent, short-legged fellow, which hardly matches the text’s description or children’s firsthand observations of the creature. A glossary of blues terms, definitions of the instruments played and a short description of the harvestman and the history of the blues is appended. The jazzy poem will be fun for sharing. (Picture book. 5-8)

Pub Date: Aug. 1, 2009

ISBN: 978-1-4027-4359-7

Page Count: 32

Publisher: Sterling

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2009

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DIARY OF A SPIDER

The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)

Pub Date: Aug. 1, 2005

ISBN: 0-06-000153-4

Page Count: 40

Publisher: Joanna Cotler/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2005

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HENRY AND MUDGE AND THE STARRY NIGHT

From the Henry and Mudge series

Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)

Pub Date: April 1, 1998

ISBN: 0-689-81175-6

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1998

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