Humorous and deep

READ REVIEW

TURTLE AND TORTOISE ARE NOT FRIENDS

Two eggs find themselves in the same pen in a London zoo, and when they hatch, a turtle and a tortoise emerge.

The turtle and tortoise think of all the fun they’ll have together. “We shall be best friends,” they agree for a quick second, until the turtle dubs them “the Terrible Turtle Twins!” Suddenly, the tortoise is affronted. “I’m not a turtle,” he says, and goes on to explain that “a turtle is a horrid beast with rough skin and a hard shell,” whereas he, the tortoise, is “a handsome creature with a hard shell and rough skin.” The turtle and tortoise decide it would not make sense for them to be friends given their differences, and they spend many years apart and resolutely do not talk to each other. When their lives are (literally) upturned one day, the question arises: Can the turtle and the tortoise overcome their differences to help themselves and each other? Reiss’ subtle wit (which takes ample advantage of tortoise and turtle racing speeds) and Spires’ nearly identical turtle and tortoise highlight the absurdity of what it means to be different. The passage of time is marked by the fashion of passers-by, who grow more diverse with the decades. Although some readers may take exception to the zookeeper’s unexplained assertion that “all tortoises are turtles,” the book’s underlying message of tolerance and acceptance is worth sharing.

Humorous and deep . (Picture book. 4-7)

Pub Date: July 23, 2019

ISBN: 978-0-06-074031-3

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: April 14, 2019

Kirkus Reviews Issue: May 1, 2019

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THE WONKY DONKEY

The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 29, 2018

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A multilayered, endearing treasure of a day.

MY DAY WITH GONG GONG

Spending a day with Gong Gong doesn’t sound like very much fun to May.

Gong Gong doesn’t speak English, and May doesn’t know Chinese. How can they have a good day together? As they stroll through an urban Chinatown, May’s perpetually sanguine maternal grandfather chats with friends and visits shops. At each stop, Cantonese words fly back and forth, many clearly pointed at May, who understands none of it. It’s equally exasperating trying to communicate with Gong Gong in English, and by the time they join a card game in the park with Gong Gong’s friends, May is tired, hungry, and frustrated. But although it seems like Gong Gong hasn’t been attentive so far, when May’s day finally comes to a head, it is clear that he has. First-person text gives glimpses into May’s lively thoughts as they evolve through the day, and Gong Gong’s unchangingly jolly face reflects what could be mistaken for blithe obliviousness but is actually his way of showing love through sharing the people and places of his life. Through adorable illustrations that exude humor and warmth, this portrait of intergenerational affection is also a tribute to life in Chinatown neighborhoods: Street vendors, a busker playing a Chinese violin, a dim sum restaurant, and more all combine to add a distinctive texture. 

A multilayered, endearing treasure of a day. (glossary) (Picture book. 4-8)

Pub Date: Sept. 8, 2020

ISBN: 978-1-77321-429-0

Page Count: 36

Publisher: Annick Press

Review Posted Online: June 30, 2020

Kirkus Reviews Issue: July 15, 2020

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Serve this superbly designed title to all who relish slightly scary stories.

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CREEPY CARROTS!

Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.

Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.

Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)

Pub Date: Aug. 21, 2012

ISBN: 978-1-4424-0297-3

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 2, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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