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MR CAMPION'S MOSAIC

One of Campion’s most waggish adventures, just as you’d expect when he meets all those divas.

Albert Campion’s speech commemorating the life of (fictional) mystery writer Evadne Childe, who died seven years ago in 1965, rapidly immerses him in multiple puzzles that have outlived her.

Though the only film based on any of Childe’s golden-age detective stories, The Moving Mosaic, bombed in 1952, the BBC is working on a new TV version. But the road to remaking it is strewn with difficulties. Location scout Don Chapman has come down with food poisoning, and actor Peyton Spruce, who starred in the 1952 film, has been struck by a car. Would Campion, already recruited as a last-minute speaker in place of Spruce, please look into the apparent coincidence? Of course he would, along with his longtime bagman, Magersfontein Lugg, his old friend Cmdr. Charles Luke of Scotland Yard, and his actor son, Rupert Campion, who wonders if there might be a part in the new telefilm for him. Instead of imposing order, Campion’s inquiries reveal, maybe even provoke, more chaos, from the invasion of the film shoot at a Roman ruin by The Prophetics, spiritualists looking for some sign of Childe’s ghost, to the theft of an ancient mosaic floor to the murder of entertainment attorney Tania Smith, whose marital career links otherwise wildly divergent plotlines. With so many performers on and offscreen jostling for attention, it’s a mercy that Campion, who insists, “I really do not mind staying out of the limelight,” is so self-effacing. As is the whodunit: blink and you’ll miss the deft unmasking of the guilty party.

One of Campion’s most waggish adventures, just as you’d expect when he meets all those divas.

Pub Date: Oct. 4, 2022

ISBN: 978-0-7278-5098-0

Page Count: 256

Publisher: Severn House

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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EVERYONE IN MY FAMILY HAS KILLED SOMEONE

This book and its author are cleverer than you and want you to know it.

In this mystery, the narrator constantly adds commentary on how the story is constructed.

In 1929, during the golden age of mysteries, a (real-life) writer named Ronald Knox published the “10 Commandments of Detective Fiction,” 10 rules that mystery writers should obey in order to “play fair.” When faced with his own mystery story, our narrator, an author named Ernest Cunningham who "write[s] books about how to write books," feels like he must follow these rules himself. The story seemingly begins on the night his brother Michael calls to ask him to help bury a body—and shows up with the body and a bag containing $267,000. Fast-forward three years, and Ernie’s family has gathered at a ski resort to celebrate Michael’s release from prison. The family dynamics are, to put it lightly, complicated—and that’s before a man shows up dead in the snow and Michael arrives with a coffin in a truck. When the local cop arrests Michael for the murder, things get even more complicated: There are more deaths; Michael tells a story about a coverup involving their father, who was part of a gang called the Sabers; and Ernie still has (most of) the money and isn’t sure whom to trust or what to do with it. Eventually, Ernie puts all the pieces together and gathers the (remaining) family members and various extras for the great denouement. As the plot develops, it becomes clear that there’s a pretty interesting mystery at the heart of this novel, but Stevenson’s postmodern style has Ernie constantly breaking the fourth wall to explain how the structure of his story meets the criteria for a successful detective story. Some readers are drawn to mysteries because they love the formula and logic—this one’s for them. If you like the slow, sometimes-creepy, sometimes-comforting unspooling of a good mystery, it might not be your cup of tea—though the ending, to be fair, is still something of a surprise.

This book and its author are cleverer than you and want you to know it.

Pub Date: Jan. 17, 2023

ISBN: 978-0-06-327902-5

Page Count: 384

Publisher: Mariner Books

Review Posted Online: Oct. 25, 2022

Kirkus Reviews Issue: Nov. 15, 2022

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