Wicked fun, sedate yet intricately plotted—a highlight in the series.
Albert Campion must work with a succession of three friends on the Metropolitan Police on a slow-motion case that takes more than 20 years to unfold and resolve.
Apart from her uncanny resemblance to Agatha Christie, Evadne Childe, the doyenne of British whodunits, is a generally unremarkable widow—her archaeologist husband, Edmund Walker-Pyne, was one of the first casualties of World War II—with a single remarkable talent: the ability to write novels that predict in uncanny detail some real-life crimes. Her perverse gift first reveals itself in 1946, when The Bottle Party Murders provides a blueprint for the robbery and murder of Tony Valetta, the shady owner of the Grafton Club, who was killed weeks after she submitted her manuscript to Veronica Hatherall, her longtime editor at J.P. Gilpin & Co. Alerted to this outrage by his old friend Superintendent Stanislaus Oates, Campion talks to Rags Donovan, the Grafton cigarette girl who saw Evadne with Pierre Le Frog, the mystery man who introduced her to the club, ostensibly for the purposes of research. Six years later, his conversation bears unexpected fruit when Rags is strangled on her way to a meeting with Campion shortly after she’s reported glimpsing Le Frog again—and shortly before Evadne’s latest novel, Camera Obscuring, predicts the particulars of another crime. Nettled, Campion sets a trap that involves a medium, a pearl necklace, and a long-dead imaginary cousin of his wife’s. As usual in Ripley’s pastiches, things don’t go exactly as he’d planned, and it’ll be another 10 years before the case is wrapped up.
Wicked fun, sedate yet intricately plotted—a highlight in the series.Pub Date: Aug. 4, 2020
ISBN: 978-0-7278-8961-4
Page Count: 288
Publisher: Severn House
Review Posted Online: May 17, 2020
Kirkus Reviews Issue: June 1, 2020
An engaging, imaginative narrative hampered by its lack of subtlety.
The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.
In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.
An engaging, imaginative narrative hampered by its lack of subtlety.Pub Date: Nov. 18, 2025
ISBN: 9780593733769
Page Count: 336
Publisher: Random House
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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