Wicked fun, sedate yet intricately plotted—a highlight in the series.
Albert Campion must work with a succession of three friends on the Metropolitan Police on a slow-motion case that takes more than 20 years to unfold and resolve.
Apart from her uncanny resemblance to Agatha Christie, Evadne Childe, the doyenne of British whodunits, is a generally unremarkable widow—her archaeologist husband, Edmund Walker-Pyne, was one of the first casualties of World War II—with a single remarkable talent: the ability to write novels that predict in uncanny detail some real-life crimes. Her perverse gift first reveals itself in 1946, when The Bottle Party Murders provides a blueprint for the robbery and murder of Tony Valetta, the shady owner of the Grafton Club, who was killed weeks after she submitted her manuscript to Veronica Hatherall, her longtime editor at J.P. Gilpin & Co. Alerted to this outrage by his old friend Superintendent Stanislaus Oates, Campion talks to Rags Donovan, the Grafton cigarette girl who saw Evadne with Pierre Le Frog, the mystery man who introduced her to the club, ostensibly for the purposes of research. Six years later, his conversation bears unexpected fruit when Rags is strangled on her way to a meeting with Campion shortly after she’s reported glimpsing Le Frog again—and shortly before Evadne’s latest novel, Camera Obscuring, predicts the particulars of another crime. Nettled, Campion sets a trap that involves a medium, a pearl necklace, and a long-dead imaginary cousin of his wife’s. As usual in Ripley’s pastiches, things don’t go exactly as he’d planned, and it’ll be another 10 years before the case is wrapped up.
Wicked fun, sedate yet intricately plotted—a highlight in the series.Pub Date: Aug. 4, 2020
ISBN: 978-0-7278-8961-4
Page Count: 288
Publisher: Severn House
Review Posted Online: May 17, 2020
Kirkus Reviews Issue: June 1, 2020
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A sugarcoated take on midcentury suburbia.
A lively and unabashedly sentimental novel examines the impact of feminism on four upper-middle-class white women in a suburb of Washington, D.C., in 1963.
Transplanted Ohioan Margaret Ryan—married to an accountant, raising three young children, and decidedly at loose ends—decides to recruit a few other housewives to form a book club. She’s thinking A Tree Grows in Brooklyn, but a new friend, artistic Charlotte Gustafson, suggests Betty Friedan’s brand-new The Feminine Mystique. They’re joined by young Bitsy Cobb, who aspired to be a veterinarian but married one instead, and Vivian Buschetti, a former Army nurse now pregnant with her seventh child. The Bettys, as they christen themselves, decide to meet monthly to read feminist books, and with their encouragement of each other, their lives begin to change: Margaret starts writing a column for a women’s magazine; Viv goes back to work as a nurse; Charlotte and Bitsy face up to problems with demanding and philandering husbands and find new careers of their own. The story takes in real-life figures like the Washington Post’s Katharine Graham and touches on many of the tumultuous political events of 1963. Bostwick treats her characters with generosity and a heavy dose of wish-fulfillment, taking satisfying revenge on the wicked and solving longstanding problems with a few well-placed words, even showing empathy for the more well-meaning of the husbands. As historical fiction, the novel is hampered by its rosy optimism, but its take on the many micro- and macroaggressions experienced by women of the era is sound and eye-opening. Although Friedan might raise an eyebrow at the use her book’s been put to, readers will cheer for Bostwick’s spunky characters.
A sugarcoated take on midcentury suburbia.Pub Date: April 22, 2025
ISBN: 9781400344741
Page Count: 384
Publisher: Harper Muse
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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