Roe’s studious examination effectively details the brilliance—and blemishes—of an entertainment gem.
A wide-ranging tour through a landmark TV comedy.
Few sitcoms can compete with 30 Rockin a jokes-per-minute contest. That alone makes this lovingly researched unpacking of every episode in the Tina Fey series worthwhile for fans. But Roe, an arts and entertainment editor, comedy writer, and producer, provides a broader context for the show’s success. Sure, the author explains where the show’s catchphrases—e.g., “I want to go to there” and “blerg!”—originated and how its most memorable moments (remember “Werewolf Bar Mitzvah”?) came together. Roe goes deep on the ratings-challenged show’s struggle to stay on the air, even with a star-studded cast, including Fey, Alec Baldwin, and Tracy Morgan, and the support of powerful Saturday Night Livehoncho Lorne Michaels. The author also meticulously chronicles the show’s influences and, through interviews, takes readers into the writers room to get a sense of the craftsmanship. However, his research has limits. His quotes from Fey, Baldwin, and Morgan come from DVD commentaries and other interviews. That leaves questions like why Fey replaced her friend Rachel Dratch with Krakowski unanswered—though Roe offers educated guesses, including that “test audiences didn’t respond to Dratch.” Roe fares far better when he takes the show to task for its actors’ use of blackface and questionable jokes at the expense of minorities. “That really hurt,” the show’s prop master Kevin Ladson told Roe, explaining how he felt when he saw Krakowski on stage in blackface portraying football player Lynn Swann. “And I said, ‘I really want to know how this gets a pass.’ ” Calling out the show’s issues makes the overwhelming praise throughout the book that much more believable.
Roe’s studious examination effectively details the brilliance—and blemishes—of an entertainment gem.Pub Date: Nov. 30, 2021
ISBN: 978-1-4197-5044-1
Page Count: 304
Publisher: Abrams
Review Posted Online: Aug. 30, 2021
Kirkus Reviews Issue: Sept. 15, 2021
PERSPECTIVES
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
Essential reading for any Twain buff and student of American literature.
A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.
It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.
Essential reading for any Twain buff and student of American literature.Pub Date: May 13, 2025
ISBN: 9780525561729
Page Count: 1200
Publisher: Penguin Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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