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THE BOOK OF FATHERS

Widely read in his homeland but rarely translated into English, Vámos should win a new American audience with his...

A bestseller in Hungary, this family chronicle focuses on firstborn sons across 12 generations.

Kornél Csillag is born in 1701; his many-times-removed scion Konrád Csillag as a three-year-old witnesses the famous European solar eclipse in 1999. In between we meet multifarious Csillags and Sterns (Hungarian and German respectively for “star”). Despite the diversity of characters over the course of three centuries, certain family traits become familiar. The sons, who later become fathers and then grandfathers, have a supra-sensory ability to connect with their ancestors; they have visions of the lives that have unfolded before they appeared on earth. They tend to be supremely intelligent, gifted with an ability to read and write at an astonishingly early age, and many are excellent singers. In addition, they struggle with ambivalence over their Jewish identity. Some embrace it; others repudiate it, most notably Balázs Csillag, who converts to Catholicism in August 1945. Throughout the narrative, the patriarchs record their thoughts, visions and experiences in the “Book of Fathers,” which is handed down from generation to generation, occasionally hidden and rediscovered. Family history entwines with Hungarian history; we witness the rise and fall of scholars, shopkeepers and intellectuals against a background of economic turmoil, political intrigue and the struggle for independence. One of the most engaging characters is Henryk Csillag-Stern. Born in New York, he finds himself drawn to the mother country and emigrates back to Pécs, the town of his ancestors. Henryk goes on a mission to uncover his family history, marries a local girl and fathers the remarkable Konrád, who “at a year and a half was able to recall and recite stories he had heard, word for word”—just like his forbears.

Widely read in his homeland but rarely translated into English, Vámos should win a new American audience with his beautifully crafted novel of connection and continuity.

Pub Date: Oct. 13, 2009

ISBN: 978-1-59051-339-2

Page Count: 480

Publisher: Other Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2009

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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