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GONE AGAIN

So many opportunities for misdeeds that even fans will find it hard to predict the next one, or the one after that.

A woman’s disappearance unleashes a series of shocks, some of them buried for many years, from a master of dysfunctional family values.

This isn’t the first time Celia Guest has gone missing. As one of three daughters of Jim Fielding, a draconian police officer in Cross Beach, Florida, she tried running away from home when she was 15. Her escape lasted only a few hours before her father caught her and shipped her off to the Heavenly Soldiers Reformatory, a nightmare site where young sinners were washed clean by the Church of True Believers. The second time—her taking off from Cross Beach College and going into hiding—was much more successful except for its effect on her sisters, Genevieve and Celeste, who felt that she’d abandoned them. But the third time is the poisoned charm. The day after a 40th birthday party during which her buddies in Schofield, Connecticut, shower her with unwanted gifts to celebrate their friendship and an anonymous correspondent tells her, “YOU DON’T DESERVE ANY OF THIS,” she leaves a note for her significantly older husband, hospital administrator Rob Guest, assuring him that she’s gone out on an errand and will return shortly, and takes off without a backward glance. To the surprise and resentment of her husband, pastor’s son Brad Jacobs, Genevieve launches a frantic search for her missing sister. As Kent skips gleefully between the present and selected highlights from the sisters’ pasts, Genevieve uncovers enough evidence to earn their relations a permanent spot in a chamber of horrors.

So many opportunities for misdeeds that even fans will find it hard to predict the next one, or the one after that.

Pub Date: March 7, 2023

ISBN: 9781662505393

Page Count: 239

Publisher: Thomas & Mercer

Review Posted Online: Dec. 23, 2022

Kirkus Reviews Issue: Jan. 15, 2023

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THE DIVORCE

Trust no one in this over-the-top tale of deception and revenge.

Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.

The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.

Trust no one in this over-the-top tale of deception and revenge.

Pub Date: May 26, 2026

ISBN: 9781464249631

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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