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THE WATCHER GIRL

Interesting people doing terrible things that are never remotely believable.

A woman who has returned to the childhood home she hates determined to set an old sin straight finds things working out rather differently.

Grace McMullen certainly had her reasons for leaving Monarch Falls behind. Her adoptive mother, Daphne, had been convicted of killing her adoptive father’s latest mistress, Marnie Gotlieb, and the scandal was spread from coast to coast by journalist Dianna Hilliard’s bestselling Domestic Illusions: The Daphne McMullen Story, which sanctified Daphne and crucified Graham McMullen. Never having felt related to a single person, not even Daphne and Graham’s daughter, Rose, Grace headed for the West Coast and became an internet sanitizer who makes a good living by hunting down and deleting compromising online material on her clients. Now she’s come back to Monarch Falls, turning up without warning on the doorstep of Graham and his current wife, life coach Bliss Diamond, to apologize to Sutton Whitlock for running out on him eight years ago—not because she didn’t love him, but because she was totally wrong for him. By the time she gets her first glimpse of her old beau, however, her mission has already changed: to rescue Sutton’s perfect wife, Campbell, from what’s clearly an abusive marriage Grace can’t help feeling responsible for. Kent piles on enough domestic complications to make you avoid your own next family reunion before she brings down the curtain with a thud.

Interesting people doing terrible things that are never remotely believable.

Pub Date: May 1, 2021

ISBN: 978-1-5420-2678-9

Page Count: 240

Publisher: Thomas & Mercer

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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THE MAN WHO DIED SEVEN TIMES

A fresh and clever whodunit with an engaging twist.

A 16-year-old savant uses his Groundhog Day gift to solve his grandfather’s murder.

Nishizawa’s compulsively readable puzzle opens with the discovery of the victim, patriarch Reijiro Fuchigami, sprawled on a futon in the attic of his elegant mansion, where his family has gathered for a consequential announcement about his estate. The weapon seems to be a copper vase lying nearby. Given this setup, the novel might have proceeded as a traditional whodunit but for two delightful features. The first is the ebullient narration of Fuchigami’s youngest grandson, Hisataro, thrust into the role of an investigator with more dedication than finesse. The second is Nishizawa’s clever premise: The 16-year-old Hisataro has lived ever since birth with a condition that occasionally has him falling into a time loop that he calls "the Trap," replaying the same 24 hours of his life exactly nine times before moving on. And, of course, the murder takes place on the first day of one of these loops. Can he solve the murder before the cycle is played out? His initial strategies—never leaving his grandfather’s side, focusing on specific suspects, hiding in order to observe them all—fall frustratingly short. Hisataro’s comical anxiety rises with every failed attempt to identify the culprit. It’s only when he steps back and examines all the evidence that he discovers the solution. First published in 1995, this is the first of Nishizawa’s novels to be translated into English. As for Hisataro, he ultimately concludes that his condition is not a burden but a gift: “Time’s spiral never ends.”

A fresh and clever whodunit with an engaging twist.

Pub Date: July 29, 2025

ISBN: 9781805335436

Page Count: 288

Publisher: Pushkin Vertigo

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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