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UNMISSING

A blissful bolt of lightning for anyone willing to suspend their disbelief.

A woman missing and presumed dead for 10 years inconveniently turns up and promptly wreaks havoc on the family her husband’s built in her absence.

Lydia and Luca Coletto had been married only a short time when she was snatched from a hiking trail outside Bent Creek, Oregon, by a sexual psychopath she came to call The Monster. Imprisoned for nine years, she finally escaped after he shot her and left her for dead. Now she’s made her way back to Bent Creek with nothing—no money, no job, no papers, no identity. Her first attempt to gain entry to her former world is foiled when she knocks on Luca’s door and it’s answered by Merritt Coletto, his very pregnant second wife, who dismisses her as a delusional imposter and slams the door in her face. Her second attempt goes better: She talks herself into a part-time job with Delphine DuBois, the kindly owner of The Blessed Alchemist. Assured now of pocket money and a roof over her head, Lydia approaches Merritt again, persuades her that she’s the real deal, and extracts an invitation to visit the whole family—Merritt, Luca, and their daughter, Elsie—whose upscale restaurant chain she can’t help envying because she doesn’t know how dangerously overextended they are, and how willing to do whatever it takes to maintain their toehold on a moneyed lifestyle they clearly see her as threatening. The proceedings are wildly improbable, but Kent sets her hook so deep and springs such a dumbfounding series of surprises that very few readers will want to interrupt their reading for anything less than a house fire.

A blissful bolt of lightning for anyone willing to suspend their disbelief.

Pub Date: Feb. 15, 2022

ISBN: 978-1-5420-3201-8

Page Count: 252

Publisher: Thomas & Mercer

Review Posted Online: Nov. 29, 2021

Kirkus Reviews Issue: Dec. 15, 2021

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THE UNRAVELING OF JULIA

The mystery plot and the Italian idyl both play supporting roles in this fairy tale for grownups.

Scottoline’s latest links her great love of Italy with her long record of female-centered crime fiction.

Julia Pritzker has a presentiment that something terrible is around the corner, but she never imagines just how terrible: When her husband, Philadelphia attorney Mike Shallette, tries to protect her from a man who grabs her designer bag, he gets stabbed to death before her eyes. Julia’s grief becomes laced with guilt when she realizes that her daily horoscope had predicted a calamity she’s now convinced she could have prevented. The news from Italian attorney Massimiliano Lombardi that his late client has left her millions in cash and an estate worth nearly as much again doesn’t comfort her, but it does provide distraction—especially since she’s never heard of Emilia Rossi and has no idea why she’s been chosen as her heir. Since Julia, adopted at an early age by a couple who’ve been dead for years, wonders if Emilia might have been her biological grandmother, she travels to Chianti in hope of recovering some of Emilia’s DNA. Unfortunately, caretakers Anna Mattia Vesta and Piero Fano have burned all of Emilia’s clothing and personal items on her orders, so there’s nothing left to test. Growing convinced that the stars are directing her and that her history is rooted in Emilia’s decrepit house, Julia turns down repeated offers for the property and resolves to secure evidence confirming the relationship between Emilia and her. Now all she has to do is protect herself from the shadowy figures tracking and following her and recover from a series of vivid, hallucinatory nightmares that seem to be the cost of claiming her heritage.

The mystery plot and the Italian idyl both play supporting roles in this fairy tale for grownups.

Pub Date: July 15, 2025

ISBN: 9781538769997

Page Count: 400

Publisher: Grand Central Publishing

Review Posted Online: May 16, 2025

Kirkus Reviews Issue: June 15, 2025

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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