Readers will feel brain-dead themselves after slogging through this deadly dull saga.



From the Parasitology series , Vol. 3

Grant's tapeworm trilogy concludes with an all-out war.

In the two previous books (Parasite, 2013; Symbiont, 2014), readers were introduced to Sally Mitchell, a woman rendered brain dead in an accident and brought back to life by a sentient tapeworm created by Dr. Shanti Cale. A global company distributed the tapeworms as personal medical devices, designed to control insulin, blood pressure, and other health issues. But instead of simply acting as a control, the worms burrowed into the skulls of their hosts and took them over. Sal, the tapeworm, took over the body of Col. Mitchell’s daughter Sally, and now the colonel is fighting the tapeworms while his other daughter, Joyce, is also brain dead. Sal hopes to save Joyce but also wants to get back to her fiance, Nathan, Dr. Cale’s son, a normal human who knows the woman he loves is a chimera. When Dr. Mitchell has Sal relocated to a quarantine unit in Pleasanton, she and another woman, Carrie, escape and find their way back to Dr. Cale’s lab, where Sal is reunited with the Mitchell family and Carrie is imprisoned. Eventually an evil chimera comes for them, and Dr. Cale’s faction works to find a way to defeat him and make the world safe for tapeworms masquerading as people. This third volume comes in much too long and contains page upon page of mundanely written internal monologue as Sal whines about her situation, justifies her existence, and explains the twisted science that went into making her. Sal is legions away from a sympathetic heroine, and the constant self-reflection acts as filler for a wafer-thin story.

Readers will feel brain-dead themselves after slogging through this deadly dull saga.

Pub Date: Nov. 24, 2015

ISBN: 978-0-316-38103-1

Page Count: 496

Publisher: Orbit/Little, Brown

Review Posted Online: Sept. 3, 2015

Kirkus Reviews Issue: Sept. 15, 2015

Did you like this book?

No Comments Yet

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.


Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

Did you like this book?


This future space fantasy might start an underground craze.

It feeds on the shades of Edgar Rice Burroughs (the Martian series), Aeschylus, Christ and J.R. Tolkien. The novel has a closed system of internal cross-references, and features a glossary, maps and appendices dealing with future religions and ecology. Dune itself is a desert planet where a certain spice liquor is mined in the sands; the spice is a supremely addictive narcotic and control of its distribution means control of the universe. This at a future time when the human race has reached a point of intellectual stagnation. What is needed is a Messiah. That's our hero, called variously Paul, then Muad'Dib (the One Who Points the Way), then Kwisatz Haderach (the space-time Messiah). Paul, who is a member of the House of Atreides (!), suddenly blooms in his middle teens with an ability to read the future and the reader too will be fascinated with the outcome of this projection.

With its bug-eyed monsters, one might think Dune was written thirty years ago; it has a fantastically complex schemata and it should interest advanced sci-fi devotees.

Pub Date: Oct. 15, 1965

ISBN: 0441013597

Page Count: 411

Publisher: Chilton

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Oct. 1, 1965

Did you like this book?

No Comments Yet