A claustrophobic, deep-sea terror tale that will leave readers glad to be safely on dry land.
Grant (Feedback, 2017, etc.) expands on her novella Rolling in the Deep (2015), about a reality TV show that goes searching for mermaids in the Mariana Trench and finds much more than it bargained for.
In 2015, Imagine Entertainment, known for its schlocky horror films (its founder, James Golden, was dubbed Monster Midas by his fans and the King of Schlock by his critics), sent the ship Atargatis, stocked with scientists and actors, to film Lovely Ladies of the Sea: The True Story of the Mariana Mermaids. The ship was found empty, and footage from the voyage revealed humanoid creatures viciously slaughtering the crew. One of the victims was Anne Stewart, and seven years later, when her younger sister, Tory, a graduate student studying acoustic marine biology, gets fired from her job, she’s free to accept an offer from Imagine to go out on the Melusine; the company hopes to find the truth about the mermaids while clearing its own name. Tory, of course, wants to avenge Anne’s death. Along for the ride is Tory’s research partner, Luis Martines; Dr. Jillian Toth, a marine biologist anxious to prove her theories about mermaids; deaf identical twins Holly and Heather Wilson, one of them an organic chemist and the other the owner of a deep-water submersible who's determined to find the bottom of Challenger Deep; and a pair of comically amorous big game hunters who want to be the first ones to take down (and consume) a mermaid. What they find is beyond both their wildest dreams and their darkest nightmares. Readers will recognize echoes of Jurassic Park and the like, which isn’t a bad thing, and Grant works in smart observations on climate change and exploitation of sea mammals without sounding preachy. The book is overlong, and the parenthetical asides can be distracting, but no matter, because Grant’s heady brew of visceral horror, fascinating science, and, of course, the hubris of mankind in the face of the awesome unknown is irresistible.
A claustrophobic, deep-sea terror tale that will leave readers glad to be safely on dry land.Pub Date: Nov. 14, 2017
ISBN: 978-0-316-37940
Page Count: 448
Publisher: Orbit
Review Posted Online: Sept. 17, 2017
Kirkus Reviews Issue: Oct. 1, 2017
A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.
After 1,000 years of peace, whispers that “the Nameless One will return” ignite the spark that sets the world order aflame.
No, the Nameless One is not a new nickname for Voldemort. Here, evil takes the shape of fire-breathing dragons—beasts that feed off chaos and imbalance—set on destroying humankind. The leader of these creatures, the Nameless One, has been trapped in the Abyss for ages after having been severely wounded by the sword Ascalon wielded by Galian Berethnet. These events brought about the current order: Virtudom, the kingdom set up by Berethnet, is a pious society that considers all dragons evil. In the East, dragons are worshiped as gods—but not the fire-breathing type. These dragons channel the power of water and are said to be born of stars. They forge a connection with humans by taking riders. In the South, an entirely different way of thinking exists. There, a society of female mages called the Priory worships the Mother. They don’t believe that the Berethnet line, continued by generations of queens, is the sacred key to keeping the Nameless One at bay. This means he could return—and soon. “Do you not see? It is a cycle.” The one thing uniting all corners of the world is fear. Representatives of each belief system—Queen Sabran the Ninth of Virtudom, hopeful dragon rider Tané of the East, and Ead Duryan, mage of the Priory from the South—are linked by the common goal of keeping the Nameless One trapped at any cost. This world of female warriors and leaders feels natural, and while there is a “chosen one” aspect to the tale, it’s far from the main point. Shannon’s depth of imagination and worldbuilding are impressive, as this 800-pager is filled not only with legend, but also with satisfying twists that turn legend on its head. Shannon isn’t new to this game of complex storytelling. Her Bone Season novels (The Song Rising, 2017, etc.) navigate a multilayered society of clairvoyants. Here, Shannon chooses a more traditional view of magic, where light fights against dark, earth against sky, and fire against water. Through these classic pairings, an entirely fresh and addicting tale is born. Shannon may favor detailed explication over keeping a steady pace, but the epic converging of plotlines at the end is enough to forgive.
A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.Pub Date: Feb. 26, 2019
ISBN: 978-1-63557-029-8
Page Count: 848
Publisher: Bloomsbury
Review Posted Online: Dec. 22, 2018
Kirkus Reviews Issue: Jan. 15, 2019
A new series starts off with a bang.
A queen and her young daughter are forced to separate and go into hiding when a corrupt politician tries to take over the kingdom.
Queen Cressa of Weirandale is worried about her 8-year-old daughter, the “princella” Cerúlia. The people of Weirandale worship a water spirit, Nargis, who grants each queen a special gift called a Talent. Cressa herself is able to meddle with memories, for example, and her mother possessed supernatural strategic abilities that served her well in battle. Cerúlia, however, appears to have none, because surely her insistence that she can talk to animals is only her young imagination running wild. When Cerúlia’s many pets warn her about assassins creeping into the royal chambers, the girl is able to save herself and her mother. Cressa uses her Talent, which actually extends to forcing anyone to tell her the truth, to root out traitors among the aristocracy, led by the power-hungry Lord Matwyck. Fearing for her daughter’s life and her own, Cressa takes Cerúlia and flees. Thinking Cerúlia will be safer away from her mother, Cressa takes the girl to a kind peasant family and adjusts their memories so they believe Cerúlia is their adopted daughter. Kozloff’s debut is the first of four Nine Realms books, and Tor plans to publish them over just four months. Luckily, the series opener is a strong start, so readers will be grateful for the short wait before Book 2. Kozloff sets a solid stage with glimpses into other characters and nations while keeping the book together with a clear, propulsive plot.
A new series starts off with a bang.Pub Date: Jan. 21, 2020
ISBN: 978-1-250-16854-2
Page Count: 496
Publisher: Tor
Review Posted Online: Sept. 29, 2019
Kirkus Reviews Issue: Oct. 15, 2019
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