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POOR YOUR SOUL

Beautifully written, at just the right emotional pitch. Of interest to all readers but likely to find a home among bereaved...

An unexpectedly hopeful, but never mawkish, tale of love and loss.

The literature on death is vast, that on the grieving process somewhat smaller, that concerning teratology—in the grimly archaic language of medicine, the birth of “monsters”—smaller still. With grace and compassion, Ptacin describes the roller-coaster plunge from cautious elation to profound sorrow as romance (“We fell in love. Exposed kneecaps and collarbones, and entire evenings spent devouring one another; we were like wild forces”) yielded to pregnancy. Then pregnancy became ever fraught as the first “abnormal” tests began to come in: “I thought maybe it was my fault,” the author writes of the first iffy report, “maybe I forgot to take my folic acid one morning, maybe I was too stressed and cantankerous and it was poisonous to the baby.” After reeling off a list of deformities—spina bifida, clubbed feet, irregular heartbeat, lack of brain development—the doctor asked whether Ptacin still wanted to know the sex of her baby. The question then became what to do, how to reconcile modern medicine and the health of the mother with Catholic doctrine and the beliefs that she, her beloved, and her family held—not to mention the opinions of those with no stake in the matter. “If I choose to terminate,” she writes, “I’ll be what the pro-lifers hate.” Her choice is heartbreaking and shattering, and it makes for difficult reading; in the end, Ptacin suggests, there is nothing to say, only acknowledgment that something terrible has happened and the need to summon the will to go on. In all this, the author’s Polish-immigrant mother emerges as a wise counselor and moral anchor: “Poor baby. Poor her soul. It is very sad,” she said, and that is just right. But Ptacin herself, who is neither heroic nor helpless, also rises in our estimation, even as she sinks in her grief.

Beautifully written, at just the right emotional pitch. Of interest to all readers but likely to find a home among bereaved mothers.

Pub Date: Jan. 12, 2016

ISBN: 978-1-61695-634-9

Page Count: 320

Publisher: Soho

Review Posted Online: Dec. 9, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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