A masterwork of Kafkaesque strangeness, brilliantly conceived and written.
A beguiling novel that plunges deep into subterranean conspiracy theories while questioning the nature of reality.
“You can’t sow the world with dreams, because the world itself was a dream.” The 27-year-old protagonist of Romanian novelist Cărtărescu’s waking-dream book is a teacher who has a decidedly Dostoyevskian discontentment with the world: He wanted to be a writer, but one particularly sharp-tongued critic, calling a poem of his “a pointless whirlpool of words,” stopped his literary career in its tracks. Now, at the beginning of the novel, he finds himself battling the lice that are epidemic among his students. Parasites are much on his mind throughout this sprawling narrative. So, too, is death a constant preoccupation: Why should he, why should anyone, accumulate knowledge and experience only, in the end, to be annihilated? When not pondering the eternal void, the young man is suspended in a kind of nightly dream state courtesy of the titular solenoid that the previous owner of his house, a protégé of Nikola Tesla’s who spent a long career inventing very strange things, not least of them this particular electromagnetic contraption, left behind, thanks to which, our narrator says, “I always slept aloft, floating between the bed and ceiling, occasionally turning over like a swimmer in a lazy, glittering light.” It’s not the only solenoid hidden away in the back alleys and tunnels of Bucharest, and one day the city itself will float away. Before then, however, our teacher and his girlfriend, a physics teacher smitten by theosophy, are drawn into the occult world of a group called the Picketists, condemned by the regime but capable of all kinds of mischief, whose members include a surprising number of people who figure in what passes for our teacher’s ordinary life. Cărtărescu writes poetically and philosophically (“What visceral and metaphysical mechanism converts the objective into the subjective?”), and while the story doesn’t always add up, it’s full of arresting images and eldritch twists that would do Umberto Eco proud.
A masterwork of Kafkaesque strangeness, brilliantly conceived and written.Pub Date: Oct. 25, 2022
ISBN: 978-1-646052-02-8
Page Count: 672
Publisher: Deep Vellum
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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